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Esther - Signed Print by Lucian Freud 1991 - MyArtBroker

Esther
Signed Print

Lucian Freud

£10,000-£15,000Value Indicator

$21,000-$30,000 Value Indicator

$19,000-$28,000 Value Indicator

¥100,000-¥140,000 Value Indicator

€12,000-€18,000 Value Indicator

$100,000-$160,000 Value Indicator

¥1,930,000-¥2,900,000 Value Indicator

$13,500-$20,000 Value Indicator

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43 x 39cm, Edition of 25, Etching

Medium: Etching

Edition size: 25

Year: 1991

Size: H 43cm x W 39cm

Signed: Yes

Format: Signed Print

Last Auction: March 2025

Value Trend:

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Forum Auctions London
United Kingdom
$7,500
$9,000
$11,500
November 2024
Il Ponte Auction House, Via Pontaccio
Italy
May 2023
Smith & Singer, Woollahra
Australia
October 2022
Christie's London
United Kingdom
October 2020
Phillips London
United Kingdom
July 2020
Phillips London
United Kingdom
September 2018
Christie's London
United Kingdom
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Track auction value trend

The value of Lucian Freud's Esther, a signed Etching from 1991, is estimated to be worth between £10,000 and £15,000. This work has shown consistent value growth, with an average annual growth rate of 3%. Over the past 12 months, the average selling price was £5,585, across 4 total sales. In the last five years, the hammer price has varied from £4,171 in November 2024 to £12,026 in May 2023. Since its first sale in February 2012, this artwork has been sold 16 times at auction. The edition size of this artwork is limited to 25.

Created with Highcharts 11.4.8Sep 2018Oct 2019Nov 2020Dec 2021Jan 2023Feb 2024Mar 2025$6,000$7,000$8,000$9,000$10,000$11,000$12,000© MyArtBroker

Meaning & Analysis

One of Freud's 14 acknowledged children, Esther Freud is one of the artist's daughters who returned to sit for her father throughout his career. For his children, sitting for Freud was a way to achieve a closer bond with their somewhat distant father. As Esther said herself: "I sat for him when I was 16 ... That's how I got to know him. We'd never lived in the same city before." Within this particular portrait of Esther, we see the tender relationship between father and daughter realised during lengthy sittings and Freud's beady-eyed observation.

Quite unlike the more frantic mark-making used for portraits of Esther's sister, Bella, Esther's portrait is described with more subtle hatching. Esther gazes down and out of the composition, giving the impression of Freud's intimate gaze on his own daughter. The cropped composition makes her face the focal point of the work, acting almost like a window into her unique character.