£4,150-£6,000Value Indicator
$8,500-$12,500 Value Indicator
$7,500-$11,000 Value Indicator
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€4,800-€7,000 Value Indicator
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¥820,000-¥1,180,000 Value Indicator
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50 x 40cm, Edition of 850, Lithograph
Medium: Lithograph
Edition size: 850
Size: H 50cm x W 40cm
Signed: Yes
Format: Signed Print
Last Auction: February 2025
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
The Cart is one of Lowry’s occasional completely simplistic, minimal pieces. The vastness and space of the road and two figures against a neutral sky is an arresting scene. It was inspired by a view of a road in Denbigh. Although different from his bustling Manchester cityscapes, Lowry’s departure from industrialism isn’t a true departure. His first works were landscapes - often mistakenly labelled as a self-taught artist, Lowry in fact studied underAdolphe Valette, who was a French Impressionist. ‘I cannot overestimate his effect on me,’ Lowry later said. Lowry could never be defined as an Impressionist per se, but the tradition of classical landscape often reappears in some of the more serene, peaceful scenes he painted. The landscape depicted in The Cart is a lonely one, like that in many of the rural pictures. Even though there are two men and a horse, each figure is isolated, leaning away from each other and enveloped in the sweeping curves of the road.
Born in 1887, L. S. Lowry was a key figure in 20th century British painting. Known for his distinctive painterly style and 'matchstick men', Lowry aimed to put industry on the map by typically focusing on scenes from his hometown in the North West of England. The naivety of his art drew criticism, yet has stood the test of time with the artist becoming a household name. Lowry has consistently performed in the secondary market, with works such as Going To The Match achieving a value of £2,919,000 in 2021 and the editioned prints remaining highly sought after.