£1,150-£1,750Value Indicator
$2,400-$3,600 Value Indicator
$2,150-$3,250 Value Indicator
¥11,000-¥17,000 Value Indicator
€1,350-€2,000 Value Indicator
$12,000-$19,000 Value Indicator
¥230,000-¥350,000 Value Indicator
$1,550-$2,350 Value Indicator
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52 x 71cm, Edition of 575, Lithograph
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Inspired by the image of a family at a bus stop with all members having the appearance of being very smart and intellectual, Lowry included both himself and his famously mysterious character ‘Ann’ in this particular painting. This mythical ‘Ann’ figure appearing in the same work along with Lowry is extremely rare within the artist’s oeuvre. His own figure can be found on the far right with a sketchbook, as a detached onlooker watching the family members from over his shoulder. The two characters identified as his enigmatic god daughters, whom no one had ever met, are the two girls with the long black braids. Lowry painted many portraits of this figure, usually depicting her alone. The characters, though making up one family unit, seem to be standing at distance from each other as isolated individuals, which could be read as a commentary on the kind of urban alienation the artist was interested in representing in his work. The male character in the centre is the father, wearing a disappointed frown.
Born in 1887, L. S. Lowry was a key figure in 20th century British painting. Known for his distinctive painterly style and 'matchstick men', Lowry aimed to put industry on the map by typically focusing on scenes from his hometown in the North West of England. The naivety of his art drew criticism, yet has stood the test of time with the artist becoming a household name. Lowry has consistently performed in the secondary market, with works such as Going To The Match achieving a value of £2,919,000 in 2021 and the editioned prints remaining highly sought after.