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Family Discussion - Signed Print by L S Lowry 1974 - MyArtBroker

Family Discussion
Signed Print

L S Lowry

£300-£450Value Indicator

$600-$950 Value Indicator

$550-$850 Value Indicator

¥2,900-¥4,350 Value Indicator

350-500 Value Indicator

$3,150-$4,750 Value Indicator

¥60,000-¥90,000 Value Indicator

$400-$600 Value Indicator

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37 x 25cm, Edition of 850, Lithograph

Medium: Lithograph
Edition size: 850
Year: 1974
Size: H 37cm x W 25cm
Signed: Yes
Format: Signed Print
Last Auction: September 2024
Value Trend:
10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

6 in network
4 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2024
Rosebery's Fine Art Auctioneers
United Kingdom
$400
$450
$600
September 2023
Rosebery's Fine Art Auctioneers
United Kingdom
November 2022
Thomson Roddick Edinburgh
United Kingdom
March 2022
Kingham & Orme Auctioneers
United Kingdom
March 2015
Bonhams Oxford
United Kingdom
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Track auction value trend

The value of L S Lowry’s signed lithograph, Family Discussion, is estimated to be worth between £300 and £450. This artwork has shown consistent value growth, with an average annual growth rate of 10%. Over the past 12 months, the average selling price was £340, with a total of 5 sales. In the last five years, the hammer price has ranged from £100 in November 2022 to £550 in September 2023. Since its first sale in March 2015, this work has demonstrated its value, making it an attractive option for collectors. The edition size of this artwork is limited to 850.

Created with Highcharts 11.4.8Mar 2015Oct 2016May 2018Dec 2019Jul 2021Feb 2023Sep 2024$600$650$700$750$800$850$900$950© MyArtBroker

Meaning & Analysis

In this print, Lowry depicts five figures, in his classic visual style. The figures are drawn in a simple way and lack detail, meaning it is hard to distinguish one person from another. Lowry has been criticised for the lack of individualism among the human figures that often populate his paintings and drawings. However, the small, simple and indistinct forms, which are known as Lowry’s ‘matchstick men’ have become a signature element of the artist’s visual language.

This print differs from other works by Lowry such as Going to Work or Coming Home From the Mill. The artist is best known for his industrial landscapes in which he depicts the factories of Manchester and the people who work in them. Lowry was fascinated by the seriality and monotony of factory work. This print, however, has a much more personal element, resonating with Lowry’s own life and familial relationships.

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