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l s lowry

St. Simon's Church Signed Print

St. Simon's Church

L S Lowry

St. Simon's Church
Signed Print

Name: St. Simon's Church
Brand: L S Lowry
Rating: 5 (231 reviews)

L S Lowry

£1,150-£1,700

$2,300-$3,400 Value Indicator

$2,100-$3,050 Value Indicator

¥10,500-¥16,000 Value Indicator

€1,400-€2,050 Value Indicator

$11,000-$17,000 Value Indicator

¥230,000-¥330,000 Value Indicator

$1,450-$2,150 Value Indicator

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 300

Size: H 32cm x W 27cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of L S Lowry's St. Simon's Church (signed) is estimated to be worth between £1,150 and £1,700. Over the past 12 months, the artwork has sold once, achieving an average selling price of £1,600. In the last five years, the hammer price has ranged from £550 in September 2022 to £2,200 in November 2021. This work demonstrates an average annual growth rate of 5%. St. Simon's Church is a rare lithograph with a strong auction history, having been sold 17 times since its initial sale in September 2005. The edition size of this artwork is limited to 300.

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Auction Results

Auction Date	Auction House	Location
March 2024	Wilson55	United Kingdom
February 2023	Dawsons, Berkshire	United Kingdom
February 2023	Wilson55	United Kingdom
December 2022	Bonhams Knightsbridge	United Kingdom
September 2022	Gildings Auctioneers	United Kingdom
April 2022	Adam Partridge Auctioneers & Valuers	United Kingdom
March 2022	Rosebery's Fine Art Auctioneers	United Kingdom

Meaning & Analysis

Lowry’s father Robert Lowry, was the motivator for this image, having suggested to his son that St. Simon’s Church was a subject worth studying. Perhaps his inspiration to paint St. Simon’s Church also came from the fact the church was scheduled for demolition and the image of the building seems to capture a resolute solidity against the doomed future. Dark and brooding against the Manchester sky, St. Simon’s church enters Lowry’s world, like many of his architectural motifs, full of presence and symbolism. Although Robert Lowry took little interest in his son’s artwork it was his advice to capture the last days of the church. Apparently, Lowry returned to the site a month later, but the building had been torn down. Lowry was no stranger to demolition, having been a ‘firewatcher’ during the Blitz, Lowry spent periods of the Blitz on the roofs of Debenhams and Lewis’s watching the destruction first-hand, which subsequently had a radical influence on his art.

Born in 1887, L. S. Lowry was a key figure in 20th century British painting. Known for his distinctive painterly style and 'matchstick men', Lowry aimed to put industry on the map by typically focusing on scenes from his hometown in the North West of England. The naivety of his art drew criticism, yet has stood the test of time with the artist becoming a household name. Lowry has consistently performed in the secondary market, with works such as Going To The Match achieving a value of £2,919,000 in 2021 and the editioned prints remaining highly sought after.

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