Ludo 5
Ludo 5
Signed Print
Keith Haring
£6,500-£9,500
$12,500-$18,000 Value Indicator
$11,500-$17,000 Value Indicator
¥60,000-¥90,000 Value Indicator
€8,000-€11,500 Value Indicator
$70,000-$100,000 Value Indicator
¥1,270,000-¥1,850,000 Value Indicator
$8,500-$12,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 90
Year: 1985
Size: H 66cm x W 48cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2023 | Bonhams Los Angeles - United States | Ludo 5 - Signed Print | |||
| June 2015 | Ketterer Kunst Hamburg - Germany | Ludo 5 - Signed Print | |||
| November 2007 | Bonhams San Francisco - United States | Ludo 5 - Signed Print | |||
| May 1985 | Larsen Gallery - United States | Ludo 5 - Signed Print |
Meaning & Analysis
This signed lithograph from 1985 is a limited edition of 90 from Keith Haring’s Ludo series. The final print of Keith Haring’s Ludo series, Ludo 5, shows an image of a human-like hand reaching upwards in panic from a body of water. This print is rendered in Haring’s striking linear style, produced exclusively with bold, black outlines and the colour red.
Ludo 5 is reminiscent of Haring’s Apocalypse series from 1988 in its hellish subject matter that evokes a sense of chaos and violence. Throughout the Ludo series, Haring maintains a dominance of the colour red, depicting eyes, limbs, and other body parts in abstracted forms. Energy lines emanate from the reaching hand and create ripples in the water, creating a sense of movement and dynamism that Haring is so well known for.
There is a sense of anxiety running through each print that differs from much of his earlier work, alluding to a turning point in Haring’s life. As the AIDS epidemic overwhelmed his community in the mid-1980s, Haring’s work began to reflect the difficulties he was facing in his personal life. Throughout his oeuvre, Haring maintained a simplicity in line and form that appealed to children and adults alike, despite his sometimes more complex subject matter, like that of the Ludo series.
