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Flowers V - Signed Print by Keith Haring 1990 - MyArtBroker

Flowers V
Signed Print

Keith Haring

£24,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$60,000 Value Indicator

¥230,000-¥340,000 Value Indicator

€28,000-€40,000 Value Indicator

$250,000-$370,000 Value Indicator

¥4,690,000-¥6,850,000 Value Indicator

$30,000-$45,000 Value Indicator

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99 x 129cm, Edition of 100, Screenprint

Medium: Screenprint

Edition size: 100

Year: 1990

Size: H 99cm x W 129cm

Signed: Yes

Format: Signed Print

Last Auction: May 2025

Value Trend:

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2025
Bonhams New York
United States
$30,000
$35,000
$45,000
November 2022
Van Ham Fine Art Auctions
Germany
May 2020
Christie's New York
United States
March 2019
Sotheby's Online
United Kingdom
October 2014
Christie's New York
United States
November 2013
Van Ham Fine Art Auctions
Germany
May 2013
Christie's New York
United States
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Track auction value trend

The value of Keith Haring’s Flowers V (signed) from 1990 is estimated to be worth between £24,000 and £35,000. This screenprint has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of eight total sales since its entry to the market in February 2005. In the last 12 months, the average selling price was £26,071, across a total of 1 sale. Over the past five years, the hammer price has ranged from £16,781 in November 2022 to £26,071 in May 2025. The average return to the seller over this period was £18,212. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8May 2013May 2015May 2017May 2019May 2021May 2023May 2025$27,500$30,000$32,500$35,000$37,500$40,000$42,500$45,000© MyArtBroker

Meaning & Analysis

In his choice of colour palette and simplified form, Haring creates an aesthetically pleasing print, however the Flowers series explicitly references subversive themes surrounding HIV/AIDS, sexuality, life and death. Haring uses flowers as symbols of nature’s ephemerality and the fleeting impermanence of human life. In rendering the subject to look phallic, Haring makes clear the stigma experience by homosexual men during the HIV/AIDS epidemic and the way in which their sexuality was weaponised in relation to death and the fragility of life.

Haring injects this print with an otherworldly quality in its use of saturated colours and the flower’s unusual, abstracted form. Further to this, coloured dots are used by Haring to denote the otherness of homosexuality and illness, specifically AIDS, at the time. Flowers V aptly expresses Haring’s feelings of otherness and closeness to death in 1990.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change