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Flowers I - Signed Print by Keith Haring 1990 - MyArtBroker

Flowers I
Signed Print

Keith Haring

£19,000-£29,000Value Indicator

$40,000-$60,000 Value Indicator

$35,000-$50,000 Value Indicator

¥180,000-¥280,000 Value Indicator

€22,000-€35,000 Value Indicator

$200,000-$310,000 Value Indicator

¥3,720,000-¥5,670,000 Value Indicator

$26,000-$40,000 Value Indicator

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100 x 130cm, Edition of 100, Screenprint

Medium: Screenprint

Edition size: 100

Year: 1990

Size: H 100cm x W 130cm

Signed: Yes

Format: Signed Print

Last Auction: June 2025

Value Trend:

14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
1 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Karl & Faber
Germany
N/A
N/A
N/A
March 2020
Christie's London
United Kingdom
May 2013
Christie's New York
United States
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Track auction value trend

The value of Keith Haring’s Flowers I (signed) from 1990 is estimated to be worth between £19,000 and £29,000. This screenprint has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of three total sales since its entry to the market in May 2013. In the past 12 months, the average selling price was £20,539, with a total sales volume of 1. Over the past five years, the average annual growth rate has been 3%. The edition size of this artwork is limited to 100.

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Meaning & Analysis

As a nod to Haring’s own AIDS diagnosis in 1988 and the widely felt suffering by many from the virus, the print has a visceral, painterly quality that evokes a sense of bodily suffering and emotionally charged expression. At first glance this print seems to have a childlike light-hearted character due to the vibrant pastel colour palette and playful subject matter. However, upon closer inspection the figure and flowers in the image are distinctly phallic, thus Haring cleverly alludes to the correlation between sex, AIDS and the fragility of life.

The figure in Flowers I is seen to be cutting the phallic flowers from the ground, conjuring ideas surrounding the ending of life and castration. In this print Haring makes clear the stigma felt by many people living with HIV/AIDS around their sexuality and its relation to life and death.