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Bayer Suite 1 - Signed Print by Keith Haring 1982 - MyArtBroker

Bayer Suite 1
Signed Print

Keith Haring

£1,200-£1,800Value Indicator

$2,500-$3,700 Value Indicator

$2,250-$3,350 Value Indicator

¥11,500-¥18,000 Value Indicator

€1,400-€2,100 Value Indicator

$13,000-$19,000 Value Indicator

¥240,000-¥360,000 Value Indicator

$1,650-$2,450 Value Indicator

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30 x 24cm, Edition of 70, Lithograph

Medium: Lithograph

Edition size: 70

Year: 1982

Size: H 30cm x W 24cm

Signed: Yes

Format: Signed Print

Last Auction: June 2024

Value Trend:

2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2024
Bonhams New Bond Street
United Kingdom
£850
£1,000
£1,280
MyPortfolio
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Track auction value trend

Keith Haring's Bayer Suite 1, a signed lithograph from 1982, is currently valued at £1,200 to £1,800. This artwork has shown consistent value growth, with an average annual growth rate of 2%. Over the past five years, the hammer price has ranged from £1,150 in April 2023 to £1,350 in December 2025. This work has an auction history of one sale, which took place on 26th June 2024. The edition size of this artwork is limited to 70.

Created with Highcharts 11.4.8Jun 2024£1,263© MyArtBroker

Meaning & Analysis

Bayer Suite 1 shows an image of two genderless figures with their arms outstretched, holding up a large heart in the centre of the frame. Graphic lines radiate from the heart to give the effect that it is pulsating, and action lines are shown at the figures’ feet making them look as though they are dancing with joy. This celebratory image bursts with energy and vigour, a sensibility that makes Haring’s work so appealing and unique.

Across the series, Haring limits his colour palette to black, red and white, producing a highly simplified and stylised set of works. The simplistic form and positive visual language of Bayer Suite 1 recalls the artist’s early subway drawings, where he spent his days drawing in white chalk on the empty advertising panels of the New York subway system.