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Plate II, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate II, Untitled 1 - 6
Signed Print

Keith Haring

£15,000-£23,000Value Indicator

$30,000-$45,000 Value Indicator

$28,000-$40,000 Value Indicator

¥140,000-¥220,000 Value Indicator

€17,000-€27,000 Value Indicator

$160,000-$240,000 Value Indicator

¥2,990,000-¥4,590,000 Value Indicator

$20,000-$30,000 Value Indicator

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64 x 91cm, Edition of 40, Screenprint

Medium: Screenprint

Edition size: 40

Year: 1982

Size: H 64cm x W 91cm

Signed: Yes

Format: Signed Print

Last Auction: November 2024

Value Trend:

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2024
Grisebach
Germany
$13,500
$16,000
$21,000
March 2023
Sotheby's Online
United Kingdom
May 2020
Christie's New York
United States
April 2017
Christie's New York
United States
November 2016
Wright
United States
October 2010
Bonhams San Francisco
United States
October 2008
Bonhams New Bond Street
United Kingdom
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Track auction value trend

The value of Keith Haring's Plate II, Untitled 1 - 6 (signed) is estimated to be worth between £15,000 and £23,000. This screenprint, created in 1982, has shown consistent value growth since its first sale in December 2007. This work has an auction history of nine total sales. In the last 12 months, the average selling price was £12,460, across one total sale. Over the past five years, the hammer price has ranged from £12,460 in November 2024 to £17,272 in March 2023. The average annual growth rate of this work is currently -5%. The edition size of this artwork is limited to 40.

Created with Highcharts 11.4.8Oct 2008Jun 2011Feb 2014Oct 2016Jul 2019Mar 2022Nov 2024$10,000$12,000$14,000$16,000$18,000$20,000$22,000© MyArtBroker

Meaning & Analysis

The motifs that appear in Barking Dogs are among Haring’s most famous symbols, originating from his subway drawings from the early 1980s. The dog motif, one of the first symbols reproduced by Haring in the streets of New York, is especially prominent in this print and represents the difference between human power and animal instinct. Moreover, the dots that cover the barking dogs are used to symbolise the perceived otherness of homosexuality. Combined with the artist’s use of energy lines that emanate from the barking dogs, a sense of anxiety is created around this print’s subject.

The television screen is another key motif used by Haring throughout his career. Living through a time of technological acceleration, Haring saw the “machine aesthetic” as a threat to humanity and used the television as a powerful symbol for totalitarian-style manipulation. Haring uses the image of the television screen in this work to symbolise the uncontrollable nature of mass culture.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change