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Plate II, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate II, Untitled 1 - 6
Signed Print

Keith Haring

£15,000-£23,000Value Indicator

$30,000-$50,000 Value Indicator

$28,000-$40,000 Value Indicator

¥140,000-¥220,000 Value Indicator

18,000-27,000 Value Indicator

$160,000-$240,000 Value Indicator

¥2,930,000-¥4,500,000 Value Indicator

$20,000-$30,000 Value Indicator

-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 40

Year: 1982

Size: H 64cm x W 91cm

Signed: Yes

Format: Signed Print

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Keith Haring's Plate II, Untitled 1 - 6 (signed) is a screenprint from 1982, with an estimated value of £15,000 to £23,000. This artwork has shown consistent value growth, with an average annual growth rate of 6%. This is a rare artwork, having been sold 9 times at auction since its initial sale on 4th December 2007. In the last 12 months, the average selling price was £12,460, across a total of 1 sale. Over the past five years, the hammer price has ranged from £12,460 in November 2024 to £17,272 in March 2023. The average return to the seller during this time has been £12,636. The edition size of this artwork is limited to 40.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Grisebach Germany
March 2023Sotheby's Online United Kingdom
May 2020Christie's New York United States
April 2017Christie's New York United States
November 2016Wright United States
October 2010Bonhams San Francisco United States
October 2008Bonhams New Bond Street United Kingdom

Meaning & Analysis

The motifs that appear in Barking Dogs are among Haring’s most famous symbols, originating from his subway drawings from the early 1980s. The dog motif, one of the first symbols reproduced by Haring in the streets of New York, is especially prominent in this print and represents the difference between human power and animal instinct. Moreover, the dots that cover the barking dogs are used to symbolise the perceived otherness of homosexuality. Combined with the artist’s use of energy lines that emanate from the barking dogs, a sense of anxiety is created around this print’s subject.

The television screen is another key motif used by Haring throughout his career. Living through a time of technological acceleration, Haring saw the “machine aesthetic” as a threat to humanity and used the television as a powerful symbol for totalitarian-style manipulation. Haring uses the image of the television screen in this work to symbolise the uncontrollable nature of mass culture.