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Shahnoza Dancing Naked - Signed Print by Julian Opie 2008 - MyArtBroker

Shahnoza Dancing Naked
Signed Print

Julian Opie

£9,500-£14,500Value Indicator

$20,000-$30,000 Value Indicator

$18,000-$27,000 Value Indicator

¥90,000-¥140,000 Value Indicator

11,000-17,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,860,000-¥2,840,000 Value Indicator

$13,000-$20,000 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

100 x 47cm, Edition of 45, Digital Print

Medium: Digital Print
Edition size: 45
Year: 2008
Size: H 100cm x W 47cm
Signed: Yes
Format: Signed Print
Last Auction: March 2023
Value Trend:
5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2023
SBI Art Auction
Japan
£13,077
£15,385
£17,693
December 2022
Bonhams New Bond Street
United Kingdom
November 2022
Bonhams New Bond Street
United Kingdom
October 2018
Sotheby's New York
United States
May 2011
Van Ham Fine Art Auctions
Germany
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Track auction value trend

The value of Julian Opie's Shahnoza Dancing Naked (signed) is estimated to be worth between £9,500 and £14,500. This digital print artwork, created in 2008, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of five total sales since its entry to the market in May 2011. The hammer price over the last five years has ranged from £10,000 in December 2022 to £15,385 in March 2023. The edition size of this artwork is limited to 45.

Created with Highcharts 11.4.8May 2011May 2013Apr 2015Apr 2017Apr 2019Mar 2021Mar 2023£8,000£10,000£12,000£14,000£16,000£18,000£20,000© MyArtBroker

Meaning & Analysis

Shahnoza Dancing Naked presents the viewer with a response to iconography found in the cultural mainstream, showing an anonymous image of the stereotypically ‘sexy’ woman. Opie’s figures are therefore in line with his landscapes and still lives that form a self-conscious representation of his idea that art feeds on art. Of this, Opie has said that his picture making “is a self-conscious circular type of activity… I make art looking at other art, looking at other things in the world that look like art, making things that look like art, making things that look like things that look like art.”

Notably, the subject of this print has been used multiple times by Opie over the course of a few years. In order to create the images of Shahnoza, Opie worked with the professional pole dancer for two days. Taking over 1,000 photographs on each day Opie used two video cameras simultaneously to capture her movements in real time.

  • Julian Opie, born in 1958, dances through the contemporary art scene with a distinctive digital allure. A trailblazer of the 1980s New British Sculpture movement, Opie's work is a highly stylised blend of Pop Art and minimalism which navigates the intersection of technology and visual expression. From his early experiments with computer-generated art to his iconic portraits and animated installations, Opie's work exudes a captivating simplicity. His signature style, marked by bold lines and reduced forms, is internationally recognisable and has made him a key player in British contemporary art.