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Julian - Signed Print by Julian Opie 2013 - MyArtBroker

Julian
Signed Print

Julian Opie

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101 x 75cm, Edition of 35, Digital Print

Medium: Digital Print
Edition size: 35
Year: 2013
Size: H 101cm x W 75cm
Signed: Yes
Format: Signed Print
Last Auction: October 2022
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2022
Bonhams New Bond Street
United Kingdom
$2,900
$3,400
$4,300
September 2022
Phillips London
United Kingdom
April 2016
Phillips New York
United States
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Track auction value trend

The value of Julian Opie's Julian (signed) is estimated to be worth between £3,400 and £5,000. This digital print artwork, created in 2013, has shown consistent value growth, with an average annual growth rate of 6%. This work has an auction history of three total sales since its entry to the market in April 2016. In the last 12 months, there have been no sales. Over the past five years, the hammer price has ranged from £2,800 in September 2022 to £3,000 in October 2022. The average return to the seller is £2,465. The edition size of this artwork is limited to 35.

Created with Highcharts 11.4.8Apr 2016May 2017Jun 2018Jul 2019Aug 2020Sep 2021Oct 2022$2,500$2,750$3,000$3,250$3,500$3,750$4,000$4,250$4,500© MyArtBroker

Meaning & Analysis

Opie creates this print through the visual language of classical portraiture, producing a simple composition with the subject centred in the image and facing outwards. Synthesising historic modes of portraiture composition with distinctly modern and concise abstracted forms, Opie produces a unique and eye-catching image. Curator at the National Portrait Gallery Catherine MacLeod has remarked, ‘Julian Opie’s work references historical portraiture, and has often used compositional devices employed by seventeenth-century artists.’

Unusual for Opie’s work, this image shows the sitter intently looking at the viewer, his eyes rendered in a detailed style that catches the viewers’ attention. The closely cut composition further emphasises the intensity of the sitter’s stare. Rendered in Opie’s highly recognisable style, Julian works a form of self-promotion, as with many self-portraits in the art historical tradition and is rare in its depiction of the artist himself.