The World's Largest Modern & Contemporary Prints & Editions Platform
Untitled With Grey Leaves - Signed Print by Jonas Wood 2009 - MyArtBroker

Untitled With Grey Leaves
Signed Print

Jonas Wood

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

102 x 75cm, Edition of 50, Lithograph

Medium: Lithograph

Edition size: 50

Year: 2009

Size: H 102cm x W 75cm

Signed: Yes

Format: Signed Print

Last Auction: June 2022

TradingFloor

2 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2022
Phillips London
United Kingdom
£6,800
£8,000
£10,080
January 2022
Phillips London
United Kingdom
May 2016
Wright
United States
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Jonas Wood's Untitled With Grey Leaves (signed) is estimated to be worth between £3,700 and £5,500. This lithograph print, created in 2009, has shown consistent value growth since its first sale in May 2016. Over the past five years, the hammer price has ranged from £8,000 in June 2022 to £12,000 in January 2022. This work has an average annual growth rate of 12% and has an auction history of three total sales. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8May 2016May 2017May 2018May 2019Jun 2020Jun 2021Jun 2022£6,000£7,000£8,000£9,000£10,000£11,000© MyArtBroker

Meaning & Analysis

Like David Hockney and Henri Matisse, mentioned by the artist as his key influences, Wood prioritises exploring his close environment through art, in particular the domestic and creative spaces that surround him. The artist commented in the context of the subject matter of his artworks: "You could call [my work] a visual diary or even a personal history. I’m not going to paint something that doesn’t have anything to do with me. Of all of the possible things I could paint, the thing that interests me is something that I can get close enough to in order to paint it honestly."