£50,000-£80,000
$100,000-$160,000 Value Indicator
$90,000-$140,000 Value Indicator
¥460,000-¥740,000 Value Indicator
€60,000-€100,000 Value Indicator
$500,000-$790,000 Value Indicator
¥9,540,000-¥15,260,000 Value Indicator
$60,000-$100,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 50
Year: 2018
Size: H 48cm x W 33cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2023 | Sotheby's London | United Kingdom | |||
October 2021 | Sotheby's Hong Kong | Hong Kong | |||
June 2021 | Phillips London | United Kingdom | |||
October 2020 | Sotheby's Hong Kong | Hong Kong | |||
September 2020 | Phillips New York | United States | |||
November 2019 | Phillips Hong Kong | Hong Kong | |||
October 2019 | Phillips New York | United States |
Four Majors (2018) is a signed screen print by Jonas Wood featuring four images of tennis courts that capture the artist’s interest in the sports world and flatness of modern abstraction. Reimagining a commonplace subject matter in bold colours and shapes, the print exemplifies how the fabric of everyday life inspires Wood’s creative practice. Blue, red, and green surfaces dominate the depicted venues, contrasting with black backgrounds that mediate a sense of stillness in the areas where stands with team supporters would be expected to appear.
Each of the images presents an ostensibly flat plane, confounding the viewer’s expectations of dimensions and scale. The clarity and orderliness of the image invoke representation of the interior space in such works as Interior with Blue Terrace And Garden (2017) by David Hockney, whom Wood mentions as one of his major influences. The artist commented in the context of the print: "My paintings of tennis courts were about an interest in abstraction, and how the court becomes a geometric puzzle."