Boxer Rebellion
Boxer Rebellion
Unsigned Print
Jean-Michel Basquiat
£40,000-£60,000Value Indicator
$80,000-$130,000 Value Indicator
$70,000-$110,000 Value Indicator
¥390,000-¥580,000 Value Indicator
€50,000-€70,000 Value Indicator
$420,000-$640,000 Value Indicator
¥7,780,000-¥11,680,000 Value Indicator
$50,000-$80,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 60
Year: 2018
Size: H 74cm x W 100cm
Signed: No
Format: Unsigned Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2024 | SBI Art Auction | Japan | |||
| November 2022 | Bonhams New York | United States | |||
| October 2019 | Digard | France | |||
| October 2019 | Sotheby's Hong Kong | Hong Kong | |||
| April 2019 | Sotheby's Hong Kong | Hong Kong |
Meaning & Analysis
Boxer Rebellion is a screen print in colours by Jean-Michel Basquiat from 1982. Basquiat revered Black icons of the boxing ring such as Sugar Ray Robinson, who this piece name-checks. Two boxers are loosely depicted at the centre of the image. Instead of depicting their anatomy, the style is cartoon-like, with the boxers appearing to be composed of robotic parts, giving them a heroic, futuristic veneer. Vibrant patches of red, yellow and blue emanate from the site of the punch inflicted by the figure on the left.
Not only is the doodle-like rendering of the boxers typical of Basquiat's self-consciously childlike drawing style, but it also suggests the influence of popular visual media of the era, reinforced by the text reading ‘TECHNICOLOR’. To this point, there is no doubt that the inspiration behind his depiction of human bodies far transcended the realm of the scholarly medical text Gray’s Anatomy. Leonhard Emmerling notes: “to his predilection for anatomic charts and love of children’s drawing style, Basquiat adds an occasional reliance on comic-book sources like Mad, Batman, Superman and Popeye. In no way does his painting try to disguise the many inspirations drawn unadulterated from television and the popular visual media.”
