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Back Of The Neck - Signed Print by Jean-Michel Basquiat 1983 - MyArtBroker

Back Of The Neck
Signed Print

Jean-Michel Basquiat

£240,000-£370,000Value Indicator

$500,000-$770,000 Value Indicator

$440,000-$680,000 Value Indicator

¥2,320,000-¥3,570,000 Value Indicator

€280,000-€430,000 Value Indicator

$2,530,000-$3,900,000 Value Indicator

¥46,940,000-¥72,360,000 Value Indicator

$320,000-$500,000 Value Indicator

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127 x 257cm, Edition of 24, Screenprint

Medium: Screenprint

Edition size: 24

Year: 1983

Size: H 127cm x W 257cm

Signed: Yes

Format: Signed Print

Last Auction: February 2024

Value Trend:

-11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2024
Phillips London
United Kingdom
£162,303
£190,945
£242,500
November 2023
Doyle Auctioneers & Appraisers
United States
March 2021
Sotheby's London
United Kingdom
October 2020
Phillips London
United Kingdom
October 2017
Christie's London
United Kingdom
December 2016
Artcurial
France
November 2016
Sotheby's New York
United States
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Track auction value trend

Jean-Michel Basquiat's Back Of The Neck, a signed screenprint from 1983, is estimated to be worth between £240,000 and £370,000. This work has an auction history of 18 total sales since its entry to the market in November 2004. Over the past five years, the hammer price has ranged from £190,945 in February 2024 to £762,675 in November 2023. The average annual growth rate of this piece is -11% and the edition size is limited to 24.

Created with Highcharts 11.4.8Nov 2016Jan 2018Apr 2019Jul 2020Sep 2021Nov 2022Feb 2024£125,000£150,000£175,000£200,000£225,000£250,000£275,000© MyArtBroker

Meaning & Analysis

Back Of The Neck features a particularly ironic use of the copyright sign, heightening Basquiat’s always subversive use of the symbol. On this subject, Leonard Emmerling notes: “Far more ambiguous than the crown is the copyright sign, which in its direct function touches upon ownership and the valuation thereof. Painted on the walls of other people’s buildings, it not only demonstrated SAMO’s authorship but generally questioned the idea of legality itself, like all sprayed tags turning anonymity into an open profession and claiming a formal legal protection for an activity that in reality remained illegal”.

There is perhaps nothing more ludicrous than a copyright sign attached to the human form itself. Less humorous, however, is the suggestion of a dehumanised, commodified body implied by the imposition of the copyright sign in this context.

  • Jean-Michel Basquiat's unique visual style has dominated the Urban Art scene, securing his status as one of the most successful African-American street artists of the 20th Century. Addressing themes of race, identity and culture within his expressive works, his distinctive painterly style and use of child-like iconography changed the course of art history forever. Artworks such as Undiscovered Genius place controversial subjects at the forefront of his narrative. Despite his tragically premature death at the age of 27, Basquiat's impact on the art scene is exemplified through the increase of his market value in the years since.