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Cabeza - Unsigned Print by Jean-Michel Basquiat 2004 - MyArtBroker

Cabeza
Unsigned Print

Jean-Michel Basquiat

£150,000-£220,000Value Indicator

$310,000-$460,000 Value Indicator

$280,000-$410,000 Value Indicator

¥1,460,000-¥2,140,000 Value Indicator

180,000-260,000 Value Indicator

$1,590,000-$2,330,000 Value Indicator

¥29,190,000-¥42,810,000 Value Indicator

$200,000-$300,000 Value Indicator

33% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 85

Year: 2004

Size: H 139cm x W 101cm

Signed: No

Format: Unsigned Print

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Track auction value trend

The value of Jean-Michel Basquiat’s Cabeza, created in 2004, is estimated to be worth between £150,000 and £220,000. This screenprint, which has been sold 22 times at auction since its initial sale on 2nd November 2007, has shown consistent value growth, with an impressive average annual growth rate of 33%. In the past 12 months, the average selling price was £132,050, with the hammer price ranging from £43,145 in March 2024 to £132,050 in February 2025. The edition size of this artwork is limited to 85.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2025SBI Art Auction Japan
April 2024Christie's New York United States
March 2024Christie's New York United States
October 2023Christie's New York United States
September 2023Sotheby's London United Kingdom
April 2023Sotheby's New York United States
October 2022Larsen Gallery United States

Meaning & Analysis

In its title, Cabeza recalls the iconic Dos Cabezas, a painting by the artist that depicts Basquiat alongside Andy Warhol. The piece can be seen as emblematic of the close working relationship and friendship which the two artists cultivated in the early 80s. It proved beneficial for Basquiat to be connected to such a highly-regarded figure in the New York art scene, yet the working friendship was not one-sided commercially, as Warhol also benefited from association with the up-and-coming neo-expressionist as his pop art prints and paintings everyday items began to lose favour with the art-buying audience.