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Rubik Space - Signed Print by Invader 2005 - MyArtBroker

Rubik Space
Signed Print

Invader

£3,650-£5,500Value Indicator

$7,500-$11,500 Value Indicator

$6,500-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

4,300-6,500 Value Indicator

$40,000-$60,000 Value Indicator

¥700,000-¥1,060,000 Value Indicator

$4,850-$7,500 Value Indicator

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90 x 70cm, Edition of 100, Screenprint

Medium: Screenprint
Edition size: 100
Year: 2005
Size: H 90cm x W 70cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

3 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Christie's London
United Kingdom
£2,550
£3,000
£3,780
September 2023
Rosebery's Fine Art Auctioneers
United Kingdom
April 2023
FauveParis
France
November 2022
Digard
France
October 2021
Digard
France
November 2018
Artcurial
France
September 2016
Aguttes, Paris
France
MyPortfolio
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Track auction value trend

The value of Invader's Rubik Space (signed) is estimated to be worth between £3,650 and £5,500. This screenprint has shown consistent value growth, with an average annual growth rate of 4%. There have been 5 sales in the last 12 months. Over the past five years, the hammer price has ranged from £3,000 in April 2025 to £14,665 in November 2022. The artwork is popular on the market, having been sold 7 times since its first sale in September 2016. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Sep 2016Feb 2018Jul 2019Dec 2020Jun 2022Nov 2023Apr 2025£2,000£2,250£2,500£2,750£3,000£3,250£3,500£3,750£4,000© MyArtBroker

Meaning & Analysis

Made in 2005, this print is a testament to Invader’s earliest experiments with the colourful and vivacious world of Rubik Cubes when the artist was at the start of his new stylistic developments. In the print, the intricacy that Invader will achieve in his following works (see, for instance, Clockwork Orange or The Shining) is still at its earliest stages, and the narrative elements of his following works are absent.

Nevertheless, the print is perhaps one of Invader’s most interesting works, in so long as it coalesces together the colourful vocabulary of the Rubik Cubes, which allow him to play with the theme of pixelation that he turned into his signature, and the digitalised character of the Space Invaders, which have become emblematic of his oeuvre. Here, the digital quality and 8-bit aesthetic of Invader’s works (see for instance Repetition, Variation, Evolution) is rendered through the juxtaposition of the white squares.

Despite the simple appearance, this print is a unique piece in Invader’s production, one that brings together his two most recognised projects and evidences the thematic and stylistic continuity between his Space Invaders and the Rubikcubes.

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