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As You'd Been Wont - Signed Print by Howard Hodgkin 1991 - MyArtBroker

As You'd Been Wont
Signed Print

Howard Hodgkin

£750-£1,150Value Indicator

$1,550-$2,400 Value Indicator

$1,400-$2,100 Value Indicator

¥7,000-¥11,000 Value Indicator

€900-€1,350 Value Indicator

$7,500-$12,000 Value Indicator

¥140,000-¥220,000 Value Indicator

$1,000-$1,550 Value Indicator

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30 x 43cm, Edition of 50, Aquatint

Medium: Aquatint

Edition size: 50

Year: 1991

Size: H 30cm x W 43cm

Signed: Yes

Format: Signed Print

Last Auction: November 2022

Value Trend:

2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2022
Toomey & Co. Auctioneers
United States
$850
$1,000
$1,250
April 2019
Christie's London
United Kingdom
September 2018
Christie's London
United Kingdom
October 2005
Christie's London
United Kingdom
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Track auction value trend

The value of Howard Hodgkin's As You'd Been Wont (signed) is estimated to be worth between £750 and £1,150. This aquatint artwork, created in 1991, has shown consistent value growth, with an average annual growth rate of 2%. This work is rare to the market, having been sold 4 times since its initial sale on 5th October 2005. The edition size of this piece is limited to 50.

Created with Highcharts 11.4.8Oct 2005Aug 2008Jun 2011May 2014Mar 2017Jan 2020Nov 2022$1,050$1,075$1,100$1,125$1,150$1,175$1,200$1,225© MyArtBroker

Meaning & Analysis

As You’d Been Won’t was the first print produced by Hodgkin to illustrate Susan Sontag’s seminal 1986 novel, The Way We Live Now. The story of the novel revolves around an unnamed man’s struggle with AIDS throughout the 1980s pandemic and recounts the visits to the hospital of his group of friends. As the main character falls more and more ill, the characters dwell on life as they know it. As You’d been Won’t, Hodgkin’s chosen title, therefore, reflects the growing awareness of irrevocable loss, that of their friends’ life but also of their own, that emerges out of the characters’ reflections throughout the book.

Through reference to the book, Hodgkin’s choice of sepia and yellow tones acquire further meaning as a mirror of the characters’ nostalgic and melancholic memories of the past, of a past now lost and irreproducible in the present. Sontag wrote the book at a time when the AIDS pandemic had become a reality permeating not only America but also England and the rest of the world. Hodgkin’s contribution to the dialogue surrounding the AIDS pandemic places this unique print not only at the forefront of Hodgkin’s production on paper but mostly at the centre of contemporary history.

  • British artist Howard Hodgkin was a luminary of abstraction. Representing Britain at the 1984 Venice Biennale, winning the Turner Prize in 1985, and knighted in 1992, Hodgkin established a legacy by pushing the boundaries of convention. Indian culture and painting heavily influenced the artist's work, infiltrating it most obviously in his bold colour choices. Evoking the bliss of exotic travels and past memories, Hodgkin's abstract representations provide an intimate insight into his world. The vibrancy of his palette and expression of the brushstrokes distinguished the artist from his contemporaries, seeing him gain international recognition.