The World's Largest Modern & Contemporary Prints & Editions Platform
Hell... Don't Make Me Come Down There - Signed Print by Harland Miller 2019 - MyArtBroker

Hell... Don't Make Me Come Down There
Signed Print

Harland Miller

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

120 x 83cm, Screenprint

Medium: Screenprint

Year: 2019

Size: H 120cm x W 83cm

Signed: Yes

Format: Signed Print

Last Auction: March 2024

TradingFloor

3 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2024
Rosebery's Fine Art Auctioneers
United Kingdom
$45,000
$50,000
$70,000
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Harland Miller's Hell... Don't Make Me Come Down There (signed) from 2019 is estimated to be worth between £19,000 and £29,000. This screenprint has shown consistent value growth, with an average annual growth rate of 15%. This work has an auction history of one sale on 5th March 2024. The edition size of this artwork is not currently available.

Created with Highcharts 11.4.8Mar 2024$67,757© MyArtBroker

Meaning & Analysis

Harland Miller’s Hell... Don't Make Me Come Down There employs a vibrant palette, juxtaposing bold colours against stark typography. As with much of Miller’s work, the design plays on the tension between the formal restraint of mid-century publishing and the bluntness of contemporary language. The phrase at its centre is both comic and ominous, reflecting Miller’s ongoing interest in how text can shift meaning through tone, context, and presentation. Positioned within his wider series of reworked book covers, this piece continues his exploration of personal and cultural identity through the lens of the printed word.

  • British artist, Harland Miller, is renowned for his irreverent reimagining of vintage Penguin book jackets. Playing with nostalgia, cultural, and literary references, the artist combines Pop Art motifs with the brushstrokes of Abstract Expressionism. Miller's paintings and prints are often imbued with dark humour, with works such as You Can Rely On Me I'll Always Let You Down being characterised by an undercurrent of satire and self-depreciation. Exploring the relationship between word and image has undoubtedly allowed Miller's art to comment on the frequent disconnect between representation and reality, and influence artists such as The Connor Brothers in their practice.