Hell... Don't Make Me Come Down There
Hell... Don't Make Me Come Down There
Signed Print
Harland Miller
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Year: 2019
Size: H 120cm x W 83cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2024 | Rosebery's Fine Art Auctioneers | United Kingdom |
Meaning & Analysis
Hell... Don't Make Me Come Down There is a striking screenprint by Harland Miller, created in 2019. This artwork depicts a colourful reinterpretation of a vintage book cover, infused with Miller’s signature dark humour. As part of his renowned series of reimagined Penguin book jackets, this piece exemplifies Miller’s unique blend of literature and visual art.
Harland Miller’s Hell... Don't Make Me Come Down There employs a vibrant palette, juxtaposing bold colours against stark typography. As with much of Miller’s work, the design plays on the tension between the formal restraint of mid-century publishing and the bluntness of contemporary language. The phrase at its centre is both comic and ominous, reflecting Miller’s ongoing interest in how text can shift meaning through tone, context, and presentation. Positioned within his wider series of reworked book covers, this piece continues his exploration of personal and cultural identity through the lens of the printed word.
British artist, Harland Miller, is renowned for his irreverent reimagining of vintage Penguin book jackets. Playing with nostalgia, cultural, and literary references, the artist combines Pop Art motifs with the brushstrokes of Abstract Expressionism. Miller's paintings and prints are often imbued with dark humour, with works such as You Can Rely On Me I'll Always Let You Down being characterised by an undercurrent of satire and self-depreciation. Exploring the relationship between word and image has undoubtedly allowed Miller's art to comment on the frequent disconnect between representation and reality, and influence artists such as The Connor Brothers in their practice.