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Landschaft II - Signed Print by Gerhard Richter 1971 - MyArtBroker

Landschaft II
Signed Print

Gerhard Richter

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16 x 16cm, Edition of 100, Intaglio

Medium: Intaglio

Edition size: 100

Year: 1971

Size: H 16cm x W 16cm

Signed: Yes

Format: Signed Print

Last Auction: March 2022

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2022
Clars Auction Gallery
United States
$2,150
$2,500
$3,150
April 2017
Van Ham Fine Art Auctions
Germany
May 2011
Van Ham Fine Art Auctions
Germany
February 2002
Lempertz, Cologne
Germany
October 2001
Christie's New York
United States
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Track auction value trend

The value of Gerhard Richter's Landschaft II, a signed Intaglio print from 1971, is estimated to be worth between £2,500 and £3,750. This artwork has an auction history of five sales since its initial sale on 30th October 2001. The average annual growth rate of this work is not available, however the average return to the seller over the past five years is £1,610. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Oct 2001Mar 2005Aug 2008Dec 2011May 2015Oct 2018Mar 2022$1,500$1,750$2,000$2,250$2,500$2,750$3,000$3,250$3,500© MyArtBroker

Meaning & Analysis

Rendered mostly in white, blue, and yellow, the landscape confronts the viewer with a vision of peaceful fields and hills, juxtaposed with the image of a bright sky. The serene landscape contrasts starkly with Richter’s monochrome paintings of the same period. The artwork captures how the experimentation with colours and mediums allows the artist to embrace a lively and buoyant visual language. The artist commented in this context: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.