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Halfmannshof - Signed Print by Gerhard Richter 1968 - MyArtBroker

Halfmannshof
Signed Print

Gerhard Richter

£2,950-£4,450Value Indicator

$6,000-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,400-5,000 Value Indicator

$30,000-$50,000 Value Indicator

¥580,000-¥880,000 Value Indicator

$4,050-$6,000 Value Indicator

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 150

Year: 1968

Size: H 29cm x W 42cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Gerhard Richter's Halfmannshof (signed) is estimated to be worth between £2,950 and £4,450. This lithograph print, created in 1968, has shown consistent value growth, with an auction history of six total sales since its entry to the market in June 2012. Over the past 12 months, the hammer price has ranged from £2,544 in February 2025 to £4,296 in June 2021. The average annual growth rate of this work is -9%. The edition size of this artwork is limited to 150.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2025Van Ham Fine Art Auctions Germany
June 2021Lempertz, Cologne Germany
June 2020Lempertz, Cologne Germany
April 2017Van Ham Fine Art Auctions Germany
June 2015Karl & Faber Germany
June 2012Swann Galleries United States

Meaning & Analysis

Rendered in monochrome, Halfmannshof confronts the viewer with a blurred picture of two dimly visible houses. The titular Halfmannshof refers to a farm in Essen, Germany. Based on a photograph taken from a moving train by Richter, the artwork does not depict the place named in the title. The tension between the title and the representation captures the artist’s grappling with the impossibility of fully restoring the memory of people and places. The artist teases the viewer to approach the photographic image as a testimony to physical space and personal experience. Ultimately, the picture does not betray anything specific or personal about the depicted space. Instead, it strikes us with a sense of oblivion and anonymity.

The problem of memory has been key to Richter’s works, including the Atlas series, his ongoing collection of photographs and newspaper clippings, and October 18, 1977, a series of paintings commemorating the members of a German left-wing terrorist group. Created in 1968, Halfmannshof anticipates the key motifs and concerns of Richter’s most famous works.