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Second Version Of Study For Bullfight No. 1 - Signed Print by Francis Bacon 1990 - MyArtBroker

Second Version Of Study For Bullfight No. 1
Signed Print

Francis Bacon

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85 x 65cm, Edition of 150, Lithograph

Medium: Lithograph

Edition size: 150

Year: 1990

Size: H 85cm x W 65cm

Signed: Yes

Format: Signed Print

Last Auction: February 2024

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2024
Christie's New York
United States
£20,116
£23,666
£29,819
December 2013
Phillips London
United Kingdom
December 2013
Artcurial
France
MyPortfolio
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The value of Francis Bacon’s Second Version Of Study For Bullfight No. 1 (signed) is estimated to be worth between £8,000 and £12,000. This lithograph print, created in 1990, has shown consistent value growth and has an auction history of three total sales since its entry to the market on 2nd December 2013. The hammer price has demonstrated an average annual growth rate of 10% and the edition size of this artwork is limited to 150.

Created with Highcharts 11.4.8Dec 2013Aug 2015May 2017Jan 2019Sep 2020Jun 2022Feb 2024£15,000£17,500£20,000£22,500£25,000£27,500£30,000© MyArtBroker

Meaning & Analysis

Bacon throughout his life was fascinated by animals. But also, with the animalistic traits in humans. He believed that civilisation and the way that humans behaved with others was only a thin veneer masking the animalistic instincts of humankind. The sport of bullfighting was a key interest for Bacon as the grandeur and macho prestige was a spectacle of mortality.

This signed central panel is part of an edition size of 150. It is the least detailed of the three. The ring extends out of the picture plane as if potentially placing the viewer within the ring. A panel painted in eggshell extending upwards from the right side of the ring is left blank drawing the viewer's eye towards the action in the centre. The energetic movement of the bull lunging towards the matador is suggested in the white trail of hoof marks in the foreground of the sandy ring.

  • Irish-born artist, Francis Bacon, has produced some of the most famous paintings in the British Contemporary canon. The 20th century maverick's visceral and emotionally charged canvases redefined figurative art. Exploring harrowing themes of trauma, sexuality, religion and violence, Bacon forces the viewer to confront the human psyche and the dark realities of human emotion. Often working from memory or his own imagination, there is a clear morphing of influences on Bacon’s work. An unusual combination of imagery is the result of his exposure to canonical artists such as Velazquez, Picasso and Rembrandt alongside his exploration of medical textbooks and photographic stills.