The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011
The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011
Signed Print
David Hockney
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 25
Year: 2011
Size: H 140cm x W 106cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2023 | Bonhams New Bond Street - United Kingdom | The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 - Signed Print | |||
| December 2022 | Bonhams New Bond Street - United Kingdom | The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 - Signed Print | |||
| June 2018 | Sotheby's Online - United Kingdom | The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 - Signed Print |
Meaning & Analysis
A scene of quiet beauty, The Arrival Of Spring In Woldgate East Yorkshire, 6th May 2011 is a digital print by David Hockney which was published in a signed edition of 25 in 2011 as part of The Arrival of Spring 2011 series.
Stillness pervades this scene of weeds and wildflowers that seem to stretch almost endlessly into the distance until our eye is caught by a line of trees marking the edge of a wood. Small scribbles of white denote flowers and a few leaves are outlined in a darker green in the foreground until the mass of vegetation becomes indistinguishable. While this is clearly a digital drawing the artist’s hand is always present, in the range of marks and the choice of colour as well as the perspective and composition which show Hockney’s confidence in this new medium.
This print is one of 49 digital drawings, that later became prints, of the area surrounding Hockney's home in Yorkshire. He returned to his birthplace in the 2000s having lived for almost four decades on the West Coast, and began recording its changing light and seasons in works that offer a sharp contrast to the flat light of his California paintings. After spending most of his career producing prints with the help of an etching plate, a studio and often an assistant, the iPad became an extension of his sketchbook, allowing him to reproduce his drawings at the touch of a button and ensuring he remains prolific well into his old age.
