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The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 - Signed Print by David Hockney 2011 - MyArtBroker

The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011
Signed Print

David Hockney

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140 x 106cm, Edition of 25, Digital Print

Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 140cm x W 106cm

Signed: Yes

Format: Signed Print

Last Auction: April 2023

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2023
Bonhams New Bond Street
United Kingdom
$230,000
$270,000
$350,000
June 2018
Sotheby's Online
United Kingdom
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The value of David Hockney’s The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 (signed) is estimated to be worth between £170,000 and £250,000. This digital print, created in 2011, has shown consistent value growth, with an average annual growth rate of 12%. This work has an auction history of two sales since its entry to the market in June 2018. The hammer price for this artwork ranges from £175,000 to £250,000. This is a rare work with an auction history of two sales since its entry to the market in June 2018. The edition size of this artwork is limited to 25.

Created with Highcharts 11.4.8Jun 2018Apr 2019Jan 2020Nov 2020Sep 2021Jun 2022Apr 2023$200,000$225,000$250,000$275,000$300,000$325,000$350,000$375,000© MyArtBroker

Meaning & Analysis

Stillness pervades this scene of weeds and wildflowers that seem to stretch almost endlessly into the distance until our eye is caught by a line of trees marking the edge of a wood. Small scribbles of white denote flowers and a few leaves are outlined in a darker green in the foreground until the mass of vegetation becomes indistinguishable. While this is clearly a digital drawing the artist’s hand is always present, in the range of marks and the choice of colour as well as the perspective and composition which show Hockney’s confidence in this new medium.

This print is one of 49 digital drawings, that later became prints, of the area surrounding Hockney's home in Yorkshire. He returned to his birthplace in the 2000s having lived for almost four decades on the West Coast, and began recording its changing light and seasons in works that offer a sharp contrast to the flat light of his California paintings. After spending most of his career producing prints with the help of an etching plate, a studio and often an assistant, the iPad became an extension of his sketchbook, allowing him to reproduce his drawings at the touch of a button and ensuring he remains prolific well into his old age.

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