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Medium: Etching
Edition size: 100
Year: 1969
Size: H 45cm x W 32cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
June 2019 | Forum Auctions London - United Kingdom | The Princess In Her Tower - Signed Print | |||
June 2018 | Germann Auctions - Switzerland | The Princess In Her Tower - Signed Print | |||
May 2016 | Wright - United States | The Princess In Her Tower - Signed Print | |||
July 2015 | Christie's New York - United States | The Princess In Her Tower - Signed Print | |||
December 2010 | Christie's London - United Kingdom | The Princess In Her Tower - Signed Print |
The Princess In Her Tower is a 1969 etching by David Hockney, depicting a solitary princess in a tower who appears abnormally large in comparison to her surroundings. Part of Hockney's Illustrations For Six Fairy Tales From The Brothers Grimm series, this limited edition of 100 prints is executed on Hodgkinson handmade paper. The artwork showcases Hockney's exploration of narrative through visual art, rendered with fine, precise lines.
The Princess In Her Tower exemplifies Hockney's skill in combining storytelling and printmaking. The etching portrays a princess isolated in a tower, a common motif in fairy tales, which Hockney reimagines with meticulous detail. The artwork's composition emphasises the figure's solitude through stark contrasts created by fine lines and careful shading.
This print is based on The Little Sea Hare, one of the lesser-known Grimm's fairy tales. Hockney's interpretation focuses on the princess's confinement, reflecting themes of isolation and longing present in the original story. The artist's choice to depict this particular moment in the narrative demonstrates his interest in exploring complex emotions through seemingly simple scenes.
Within the Six Fairy Tales series, The Princess In Her Tower stands out for its detailed architectural elements and the subtle expression of the central figure. This attention to detail reflects Hockney's broader interest in spatial representation and human emotion, themes he continued to explore throughout his career in various mediums.