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He Tore Himself In Two - Signed Print by David Hockney 1969 - MyArtBroker

He Tore Himself In Two
Signed Print

David Hockney

£1,500-£2,250Value Indicator

$3,100-$4,600 Value Indicator

$2,750-$4,150 Value Indicator

¥14,500-¥22,000 Value Indicator

€1,750-€2,600 Value Indicator

$16,000-$24,000 Value Indicator

¥300,000-¥450,000 Value Indicator

$2,000-$3,000 Value Indicator

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45 x 32cm, Edition of 100, Intaglio

Medium: Intaglio

Edition size: 100

Year: 1969

Size: H 45cm x W 32cm

Signed: Yes

Format: Signed Print

Last Auction: June 2023

Value Trend:

-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2023
Rosebery's Fine Art Auctioneers
United Kingdom
$1,950
$2,300
$3,000
September 2020
Sotheby's London
United Kingdom
February 2012
Christie's London
United Kingdom
March 2010
Shapiro Auctioneers
Australia
November 2006
Freeman's
United States
June 2005
Bonhams New Bond Street
United Kingdom
June 2000
Christie's London
United Kingdom
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Track auction value trend

The value of David Hockney’s He Tore Himself In Two, a signed Intaglio print from 1969, is estimated to be worth between £1,500 and £2,250. This work has shown consistent value growth, with an average annual growth rate of 3%. This is a rare artwork, with an auction history of 7 total sales since its entry to the market in June 2000. In the last 12 months, there have been no sales. In the last five years, the hammer price has ranged from £1,613 in September 2020 to £1,800 in June 2023. The average return to the seller is £1,450. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Jun 2000Apr 2004Feb 2008Dec 2011Oct 2015Aug 2019Jun 2023$1,500$1,750$2,000$2,250$2,500$2,750$3,000$3,250© MyArtBroker

Meaning & Analysis

The artist said in the context of the Brother Grimm’s stories: “they’re fascinating, the little stories, told in a very very simple, direct, straightforward language and style; it was this simplicity that attracted me. They cover quite a strange range of experience, from the magical to the moral.” It is, indeed, the moral dimension of the story that informs Hockney’s use of the characters and tropes in He Tore Himself In Two. Rather than seeing the princess, we are presented with the figure of the king involved in spinning himself. Represented in an abstract vein, the activity of spinning straw goes hand in hand with the diminishing of the human figure in the print. When spinning reaches its peak in the right picture at the bottom, it does not bring about gold. Instead, the king appears to have perished, becoming the victim of his own greed.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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