Beautiful And White Flowers
Beautiful And White Flowers
Signed Print
David Hockney
£2,500-£3,750
$5,000-$7,500 Value Indicator
$4,500-$7,000 Value Indicator
¥23,000-¥35,000 Value Indicator
€3,050-€4,550 Value Indicator
$25,000-$35,000 Value Indicator
¥490,000-¥730,000 Value Indicator
$3,200-$4,800 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 75
Year: 1966
Size: H 34cm x W 22cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2024 | Lama | United States | |||
| June 2024 | Bonhams New Bond Street | United Kingdom | |||
| May 2021 | Hall's Fine Art | United Kingdom | |||
| April 2021 | Sworders | United Kingdom | |||
| June 2015 | Bonhams New Bond Street | United Kingdom | |||
| September 2007 | Waddington's | Canada | |||
| October 2006 | Christie's London | United Kingdom |
Meaning & Analysis
Beautiful And White Flowers (1966) is a signed etching by David Hockney that belongs to Illustrations For Fourteen Poems By C. P. Cavafy - a series of prints illustrating or loosely evoking the scenes and motifs from the Alexandria-born Greek poet’s works.
Opening with a young man’s declaration that he wants to abandon his long-term lover, Cavafy’s poem deals with the crisis of a romantic relationship between two men. What propels the motif of abandonment is the male figure’s desire to break away from the life in austerity by starting a relationship with a much more affluent man than him and his current lover. Although it finishes on a dramatic note, culminating in the image of the young man’s death and the abandoned lover’s longing, Hockney strives to extricate a positive dimension from Cavafy’s poem. Beautiful And White Flowers presents the viewer with a static, surprisingly lighthearted scene, in which one man is seen lying down on a sofa while the other stands behind with his hand tenderly touching the cushion. Through such a representation, the artist seems to move beyond the moment in time described in the poem and imagines the relation in its early, innocent phase.
