Apples, Pears, Grapes, May 1986
Apples, Pears, Grapes, May 1986
Signed Print
David Hockney
£9,500-£14,500Value Indicator
$20,000-$30,000 Value Indicator
$17,000-$26,000 Value Indicator
¥90,000-¥140,000 Value Indicator
€11,000-€17,000 Value Indicator
$90,000-$140,000 Value Indicator
¥1,760,000-¥2,690,000 Value Indicator
$12,000-$19,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 50
Year: 1986
Size: H 22cm x W 36cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Phillips London | United Kingdom | |||
| September 2021 | Sotheby's Online | United Kingdom | |||
| May 2020 | Bonhams Los Angeles | United States | |||
| July 2018 | Christie's New York | United States | |||
| January 2018 | Phillips London | United Kingdom | |||
| December 2017 | Forum Auctions London | United Kingdom | |||
| April 2017 | Bonhams Los Angeles | United States |
Meaning & Analysis
A dynamic still life from the Home Made Prints series, Apples, Pears, Grapes, May 1986 was published by David Hockney as a signed edition of 50 and demonstrates his unfailing enthusiasm for embracing new mediums.
From aquatints to iPad drawings, Hockney has become known for his ability to work across multiple mediums and to keep up with the latest technology. After working mostly with etching and lithography, in 1986 the artist began working with an office photocopier to produce vibrant editions reminiscent of lithographs or screen prints. While before he had been working with an assistant to produce his prints, the photocopier gave him a new found freedom which allowed him to experiment with colour and texture from his home. The resulting prints, which form the Home Made Prints series, represent this new way of working, embracing both spontaneity and agency in their dynamism and vibrant palette.
In Apples, Pears, Grapes, May 1986 we see the artist subverting the traditionally stiff genre of the still life, bringing movement and depth to these carefully arranged objects through variations of line and tone. The graininess of the photocopier is emphasised rather than smoothed over, and the background becomes a dizzying mess of scribbled lines, doing away with the order and restraint viewers have come to expect of the subject. Using just red, green and black Hockney evokes a late summer’s afternoon, playing with perspective to draw our eye to a wicker basket overflowing with grapes, pears and apples.
