Lithograph Of Water Made Of Lines, Crayon And Two Blue Washes Without Green Wash
Lithograph Of Water Made Of Lines, Crayon And Two Blue Washes Without Green Wash
Signed Print
David Hockney
£70,000-£110,000
$140,000-$220,000 Value Indicator
$130,000-$200,000 Value Indicator
¥650,000-¥1,020,000 Value Indicator
€80,000-€130,000 Value Indicator
$690,000-$1,090,000 Value Indicator
¥13,390,000-¥21,040,000 Value Indicator
$90,000-$140,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 36
Year: 1980
Size: H 76cm x W 87cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2024 | Doyle Auctioneers & Appraisers | United States | |||
| October 2013 | Christie's New York | United States | |||
| April 2006 | Sotheby's New York | United States | |||
| March 2005 | Sotheby's London | United Kingdom | |||
| May 2004 | Sotheby's New York | United States | |||
| November 2003 | Sotheby's New York | United States |
Meaning & Analysis
Lithograph Of Water Made Of Lines, Crayon And Two Blue Washes Without Green Wash is a lithograph created by David Hockney between 1978 and 1980. This artwork depicts a swimming pool scene, utilising lines, crayon, and two shades of blue washes. It is part of Hockney's series exploring water and swimming pools, a recurring theme in his work during this period. The lithographic process, which involves drawing on a flat stone or metal plate with a greasy substance, allowed Hockney to create detailed lines and subtle colour gradations.
Hockney's lithograph showcases the artist's study of water's fluidity and transparency, employing a precise arrangement of lines to evoke the rippling surface of a swimming pool, creating a visually dynamic composition. Hockney's choice of two blue washes, while deliberately omitting green, enhances the depth and movement within the water. This piece is part of Hockney's series on swimming pools, reflecting his fascination with Californian landscapes and the play of light on water. The use of crayon adds a textured quality to the composition, bridging the gap between drawing and printmaking. Published by Tyler Graphics, this lithograph demonstrates Hockney's skill in combining multiple printing techniques. The lithographic process allowed Hockney to create subtle gradations of colour and complex line work, with each colour requiring a separate stone or plate. The absence of green wash distinguishes this work within the series, highlighting Hockney's experimental approach to colour. This artwork exemplifies Hockney's constantly evolving approach to printmaking and his enduring interest in depicting water in its various forms.
