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Ann In The Studio - Signed Print by David Hockney 1984 - MyArtBroker

Ann In The Studio
Signed Print

David Hockney

£2,800-£4,200Value Indicator

$6,000-$8,500 Value Indicator

$5,000-$8,000 Value Indicator

¥27,000-¥40,000 Value Indicator

€3,250-€4,850 Value Indicator

$30,000-$45,000 Value Indicator

¥550,000-¥820,000 Value Indicator

$3,800-$5,500 Value Indicator

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78 x 106cm, Edition of 61, Intaglio

Medium: Intaglio

Edition size: 61

Year: 1984

Size: H 78cm x W 106cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

20% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Phillips New York
United States
$3,550
$4,200
$5,500
July 2024
Christie's New York
United States
October 2022
Doyle Auctioneers & Appraisers
United States
October 2021
Wright
United States
July 2021
Christie's New York
United States
September 2020
Sotheby's Online
United Kingdom
February 2020
Rago
United States
MyPortfolio
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The value of David Hockney’s Ann In The Studio (signed) is estimated to be worth between £2,750 and £4,150. This intaglio print, created in 1984, has shown consistent value growth, with an average annual growth rate of 18%. This work has an impressive auction history, having been sold 15 times at auction since its initial sale on 28th October 2009. In the last 12 months, the average selling price was £2,061, across 2 total sales. Over the past five years, the hammer price has ranged from £929 in July 2024 to £5,142 in July 2021, with an average annual growth rate of 18%. The edition size of this artwork is limited to 61.

Created with Highcharts 11.4.8Feb 2020Dec 2020Nov 2021Sep 2022Jul 2023Jun 2024Apr 2025$3,000$3,500$4,000$4,500$5,000$5,500$6,000© MyArtBroker

Meaning & Analysis

This signed Intaglio by renowned British artist David Hockney was released in 1984 in an edition of 60. As the title suggests, the work depicts the artist’s acquaintance Ann in his studio, the exclusive location of all of his portraiture works. Ann sits centrally in the foreground as Hockney’s studio sprawls in the background on either side. Relaxed with one hand propping up her head as she leans back into the chair, the sitter’s gaze is not on the viewer, but on the artist, suggesting the two are engaged in conversation whilst her portrait is being captured. Ann’s features are reduced to simplistic lines, yet Hockney’s skill lies in his ability to still capture a great likeness. Executed in a Picasso-esque style, the simplicity of this line drawing does not conceal its intimacy and emotion. Throughout the Portraits collection, and indeed Hockney’s entire oeuvre, the artist’s style continues to change, reflecting the limitlessness of his artistic abilities.

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