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Salad - Signed Print by Damien Hirst 1999 - MyArtBroker

Salad
Signed Print

Damien Hirst

£2,850-£4,300Value Indicator

$6,000-$9,000 Value Indicator

$5,500-$8,000 Value Indicator

¥27,000-¥40,000 Value Indicator

3,300-4,950 Value Indicator

$30,000-$45,000 Value Indicator

¥570,000-¥860,000 Value Indicator

$3,850-$6,000 Value Indicator

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153 x 102cm, Edition of 150, Screenprint

Medium: Screenprint
Edition size: 150
Year: 1999
Size: H 153cm x W 102cm
Signed: Yes
Format: Signed Print
Last Auction: March 2016

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2016
Christie's New York
United States
£1,707
£2,008
£2,510
April 2008
Christie's London
United Kingdom
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The value of Damien Hirst's Salad (signed) from 1999 is estimated to be worth between £2,850 and £4,300. This screenprint has been sold twice at auction since its initial sale on 3rd April 2008. There have been no sales in the last 12 months and the hammer price has remained consistent over the past five years. The edition size of this artwork is limited to 150.

Created with Highcharts 11.4.8Apr 2008Aug 2009Dec 2010Mar 2012Jul 2013Nov 2014Mar 2016£1,200£1,400£1,600£1,800£2,000£2,200£2,400£2,600© MyArtBroker

Meaning & Analysis

In this series Hirst takes everyday, cafeteria foods and holds them up to Christian faith and the perceived glamour of pharmaceuticals. He shows us how these medicines have become commonplace, their packaging familiar and the contents trusted. For Hirst our relationship with medicine is a belief system, very much like art or religion.

Pharmaceutical imagery, glamour and idolisation can be found early in the artist’s career in his Medicine Cabinet series. Empty medicine packaging is displayed in cabinets under titles including ‘Holidays’, ‘New York’ and ‘God’. Later, he uses similar cabinets to display brightly coloured pills and cubic zirconia.

Hirst’s ongoing questioning of human faith can be found again and again throughout his work. Signed and unnumbered (as is true of all prints in the series) this print can be considered an important piece within the artist’s catalogue raisonné.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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