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Mushroom - Signed Print by Damien Hirst 1999 - MyArtBroker

Mushroom
Signed Print

Damien Hirst

£8,000-£12,000Value Indicator

$17,000-$25,000 Value Indicator

$15,000-$22,000 Value Indicator

¥80,000-¥120,000 Value Indicator

€9,500-€14,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,590,000-¥2,390,000 Value Indicator

$11,000-$16,000 Value Indicator

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153 x 102cm, Edition of 150, Screenprint

Medium: Screenprint

Edition size: 150

Year: 1999

Size: H 153cm x W 102cm

Signed: Yes

Format: Signed Print

Last Auction: September 2022

Value Trend:

27% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2022
Phillips London
United Kingdom
$9,000
$10,500
$13,000
December 2017
Pierre Bergé & Associates Paris
France
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Track auction value trend

The value of Damien Hirst's Mushroom (signed), a screenprint from 1999, is estimated to be worth between £8,000 and £12,000. This artwork has shown consistent value growth, with an average annual growth rate of 27%. This is a popular work, having been sold twice at auction since its initial sale on 19th December 2017. The edition size of this artwork is limited to 150.

Created with Highcharts 11.4.8Dec 2017Sep 2018Jul 2019Apr 2020Feb 2021Nov 2021Sep 2022$6,000$7,000$8,000$9,000$10,000$11,000$12,000$13,000© MyArtBroker

Meaning & Analysis

In this series Hirst takes everyday, cafeteria foods and holds them up to Christian faith and the perceived glamour of pharmaceuticals. He shows us how these medicines have become commonplace, their packaging familiar and the contents trusted. For Hirst our relationship with medicine is a belief system, very much like art or religion.

Pharmaceutical imagery, glamour and idolisation can be found early in the artist’s career in his Medicine Cabinet series. Empty medicine packaging is displayed in cabinets under titles including ‘Holidays’, ‘New York’ and ‘God’. Later, he uses similar cabinets to display brightly coloured pills and cubic zirconia.

Hirst’s ongoing questioning of human faith can be found again and again throughout his work. Signed and unnumbered (as is true of all prints in the series) this print can be considered an important piece within the artist’s catalogue raisonné.

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