Sandwich
Sandwich
Signed Print
Damien Hirst
153 x 102cm, Edition of 150, Screenprint, 1999
£4,700-£7,000
$9,000-$13,000 Market Value Indicator
$8,500-$13,000 Market Value Indicator
¥45,000-¥60,000 Market Value Indicator
€5,500-€8,000 Market Value Indicator
$50,000-$70,000 Market Value Indicator
¥1,000,000-¥1,490,000 Market Value Indicator
$6,500-$9,500 Market Value Indicator
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Meaning & Analysis
Sandwich is one of thirteen screen prints in The Last Supper series by Young British Artist, Damien Hirst. Created in 1999 and released in an edition of 150, this series sees Hirst takes everyday, cafeteria foods and holds them up to Christian faith and the perceived glamour of pharmaceuticals. Sandwich uses a simple, limited palette of three colours to imitate medicinal packaging.
'Sandwich' replaces the medicine name, and in place of the manufacturer's logo Hirst creates another, using his own name. Some pharmaceutical descriptions and measurements remain: the word ‘Saquinavir’ sits awkwardly beneath the artwork title.
He shows us how these medicines have become commonplace, their packaging familiar and the contents trusted. For Hirst our relationship with medicine is a belief system, very much like art or religion.
Pharmaceutical imagery, glamour and idolisation can be found early in the artist’s career in his Medicine Cabinet series. Empty medicine packaging is displayed in cabinets under titles including ‘Holidays’, ‘New York’ and ‘God’. Later, he uses similar cabinets to display brightly coloured pills and cubic zirconia.
Hirst’s ongoing questioning of human faith can be found again and again throughout his work. Signed and unnumbered (as is true of all prints in the series) this print can be considered an important piece within the artist’s catalogue raisonné.
