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Verba Mea Auribus (diamond dust) - Signed Print by Damien Hirst 2009 - MyArtBroker

Verba Mea Auribus (diamond dust)
Signed Print

Damien Hirst

£12,500-£19,000Value Indicator

$26,000-$40,000 Value Indicator

$23,000-$35,000 Value Indicator

¥120,000-¥180,000 Value Indicator

€14,500-€22,000 Value Indicator

$130,000-$200,000 Value Indicator

¥2,490,000-¥3,780,000 Value Indicator

$17,000-$26,000 Value Indicator

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73 x 75cm, Edition of 50, Screenprint

Medium: Screenprint

Edition size: 50

Year: 2009

Size: H 73cm x W 75cm

Signed: Yes

Format: Signed Print

Last Auction: January 2022

Value Trend:

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
January 2022
Phillips London
United Kingdom
£11,050
£13,000
£16,380
September 2019
Sotheby's Online
United Kingdom
June 2012
Hampel Fine Art Auctions
Germany
MyPortfolio
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Track auction value trend

The value of Damien Hirst's Verba Mea Auribus (diamond dust) (signed) is estimated to be worth between £12,500 and £19,000. This screenprint, created in 2009, has shown consistent value growth, with an average annual growth rate of 3%. This work is somewhat rare, having been sold 2 times at auction since its initial sale on 10th September 2019. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Jun 2012Jan 2014Aug 2015Mar 2017Nov 2018Jun 2020Jan 2022£8,000£10,000£12,000£14,000£16,000£18,000© MyArtBroker

Meaning & Analysis

The print is part of the artist’s Psalms series. In this series, which the artist started in 2008, Hirst produces various patterned canvases, all of which use butterflies as their main stylistic element. The prints in the series are all named after a psalm from the Old Testament, emblematic of Hirst’s interest in contemporary belief systems, such as religion. The Psalms are part of a broader series, the Kaleidoscope series, an impressive project dating back to 2001, which was inspired by the intricate pattern of butterfly wings Hirst saw on an old Victoria tea tray.

Hirst has been drawn to butterflies since the start of his artistic career in the late 1980s when he was studying Fine Art at Goldsmiths College. Hirst describes the insect as a “universal trigger,” arguing that “Everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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