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Confitebor Tibi (diamond dust) - Signed Print by Damien Hirst 2009 - MyArtBroker

Confitebor Tibi (diamond dust)
Signed Print

Damien Hirst

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74 x 71cm, Edition of 50, Screenprint

Medium: Screenprint

Edition size: 50

Year: 2009

Size: H 74cm x W 71cm

Signed: Yes

Format: Signed Print

Last Auction: June 2018

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2018
Bonhams New Bond Street
United Kingdom
$8,000
$9,500
$11,500
June 2014
Ketterer Kunst Hamburg
Germany
June 2011
Phillips New York
United States
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Track auction value trend

The value of Damien Hirst’s Confitebor Tibi (diamond dust) (signed) is estimated to be worth between £8,500 and £12,500. This screenprint, created in 2009, has shown consistent value growth since its first sale on 7th June 2011. This work has an auction history of three sales and an annual average growth rate of 7%. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Jun 2011Aug 2012Oct 2013Dec 2014Feb 2016Apr 2017Jun 2018$6,000$7,000$8,000$9,000$10,000$11,000$12,000$13,000© MyArtBroker

Meaning & Analysis

The print is part of the artist’s Psalms series which is composed of 150 works. In this series, Hirst produces a variety of prints, all of which depict circular patterns made of butterflies. The series is part of a bigger project, the Kaleidoscope series, which similarly makes art out of butterflies.

Each print in the series is named after a psalm from the Old Testament, emblematic of the way in which Hirst uses his art to question belief systems, such as religion. Hirst, as an artist, is fascinated in exploring contemporary systems of belief through his art. As well as looking at religion, the artist has explored the role of art and medicine in modern life.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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