Coeli Enarrant
Coeli Enarrant
Signed Print
Damien Hirst
£9,000-£13,000Value Indicator
$19,000-$27,000 Value Indicator
$17,000-$24,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€10,500-€15,000 Value Indicator
$90,000-$140,000 Value Indicator
¥1,700,000-¥2,450,000 Value Indicator
$12,000-$17,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 25
Year: 2010
Size: H 74cm x W 71cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2025 | Forum Auctions London | United Kingdom | |||
| March 2019 | Christie's Hong Kong | Hong Kong | |||
| November 2018 | Sotheby's Online | United Kingdom | |||
| April 2017 | Alex Cooper Auctioneers | United States | |||
| June 2011 | Phillips London | United Kingdom | |||
| March 2011 | Sotheby's Online | United Kingdom |
Meaning & Analysis
Coeli Enarrant is a signed screen print in colours produced by renowned contemporary artist, Damien Hirst. In this impressive print, Hirst produces a delicate arrangement of circles made out of butterflies. The colourful butterfly wings make the print bold and lively, with blue, yellow and red dominating the composition, standing out against the pale pink backdrop. The concentric circles have a hypnotic effect and revolve around a small blue butterfly which occupies the centre of the composition.
The print, made in 2010, is part of the artist’s Psalms series. The series, which the artist started in 2008, is composed of 150 works, all of which are named after a psalm from the Old Testament. Each print in the series incorporates circles and butterflies into the print design, however no two prints are alike, with unique arrangements of butterflies and colour compositions. The Psalms are part of a broader series, the Kaleidoscope series, which Hirst started in 2001. The butterfly patterns were inspired by an old Victoria tea tray Hirst saw which had a similar design.
The titles of the works and their reference to Old Testament psalms reflect how Hirst likes to explore themes of religion in his artwork. Hirst often addresses difficult themes and questions through his art. The artist explains,“I am absolutely not interested in tying things down”, Hirst has continued over the last decade to explore the “big issues” of “death, life, religion, beauty, science.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
