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Sceptic - Signed Print by Damien Hirst 2006 - MyArtBroker

Sceptic
Signed Print

Damien Hirst

£8,500-£13,000Value Indicator

$18,000-$27,000 Value Indicator

$16,000-$24,000 Value Indicator

¥80,000-¥120,000 Value Indicator

10,000-15,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,640,000-¥2,510,000 Value Indicator

$11,500-$17,000 Value Indicator

21% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 55

Year: 2006

Size: H 150cm x W 78cm

Signed: Yes

Format: Signed Print

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The value of Damien Hirst’s Sceptic (signed), a screenprint from 2006, is estimated to be worth between £8,500 and £13,000. This artwork has sold twice at auction since its entry to the market on 5th March 2010. There have been no sales in the last 12 months and no sales in the last five years. The edition size of this artwork is limited to 55.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2017Toomey & Co. Auctioneers United States
March 2010Phillips New York United States

Meaning & Analysis

Along with skulls and diamonds, the butterfly is one of Hirst’s most popular motifs and the insect is frequently incorporated into the artist’s work, most notably in his Kaleidoscope series in which the artist produced spectacular patterns of concentric circles composed of butterfly wings. The butterfly patterns that Hirst often creates in his works, as seen in Sceptic, were inspired by a Victorian tea tray found by Hirst which was decorated with delicate patterns of butterfly wings.

The butterfly is an insect imbued with symbolic significance. Butterflies were used by the Greeks to represent the Psyche and the soul and are also found in Christian imagery to signify the resurrection. Hirst’s use of the butterfly in his art therefore enables him to touch on themes of life, death and religion in his prints.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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