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Sceptic - Signed Print by Damien Hirst 2006 - MyArtBroker

Sceptic
Signed Print

Damien Hirst

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150 x 78cm, Edition of 55, Screenprint

Medium: Screenprint
Edition size: 55
Year: 2006
Size: H 150cm x W 78cm
Signed: Yes
Format: Signed Print
Last Auction: June 2017

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2017
Toomey & Co. Auctioneers
United States
£3,772
£4,438
£5,548
March 2010
Phillips New York
United States
MyPortfolio
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Track auction value trend

The value of Damien Hirst's Sceptic (signed) is estimated to be worth between £7,500 and £11,500. This screenprint, created in 2006, has an auction history of two sales since its entry to the market on 5th March 2010. There have been no sales in the last 12 months or the last five years. The edition size of this artwork is limited to 55.

Created with Highcharts 11.4.8Mar 2010May 2011Aug 2012Oct 2013Jan 2015Mar 2016Jun 2017£3,000£3,500£4,000£4,500£5,000£5,500£6,000© MyArtBroker

Meaning & Analysis

Along with skulls and diamonds, the butterfly is one of Hirst’s most popular motifs and the insect is frequently incorporated into the artist’s work, most notably in his Kaleidoscope series in which the artist produced spectacular patterns of concentric circles composed of butterfly wings. The butterfly patterns that Hirst often creates in his works, as seen in Sceptic, were inspired by a Victorian tea tray found by Hirst which was decorated with delicate patterns of butterfly wings.

The butterfly is an insect imbued with symbolic significance. Butterflies were used by the Greeks to represent the Psyche and the soul and are also found in Christian imagery to signify the resurrection. Hirst’s use of the butterfly in his art therefore enables him to touch on themes of life, death and religion in his prints.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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