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Beneficence - Signed Print by Damien Hirst 2015 - MyArtBroker

Beneficence
Signed Print

Damien Hirst

£3,050-£4,600Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥30,000-¥45,000 Value Indicator

3,500-5,500 Value Indicator

$30,000-$50,000 Value Indicator

¥610,000-¥910,000 Value Indicator

$4,100-$6,000 Value Indicator

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46 x 39cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2015
Size: H 46cm x W 39cm
Signed: Yes
Format: Signed Print
Last Auction: August 2024

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
August 2024
Bonhams New York
United States
$3,550
$4,200
$5,500
June 2022
Phillips London
United Kingdom
April 2022
Ross's Fine Art Auctioneers
United Kingdom
September 2020
Sotheby's Online
United Kingdom
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Track auction value trend

The value of Damien Hirst's Beneficence (signed), a screenprint from 2015, is estimated to be worth between £3,050 and £4,600. This artwork has shown consistent value growth, with an average annual growth rate of 3%. Over the past 12 months, the average selling price was £3,269, across a total of 1 sale. In the last five years, the hammer price has ranged from £3,269 in August 2024 to £5,000 in June 2022. Since its first sale in September 2020, this work has been sold 4 times, and the average return to the seller has been £3,499. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Sep 2020May 2021Jan 2022Aug 2022Apr 2023Dec 2023Aug 2024$3,000$3,500$4,000$4,500$5,000$5,500$6,000© MyArtBroker

Meaning & Analysis

The butterfly has become a staple part of Hirst’s visual language and iconography. Along with skulls and diamonds, the beautiful insect has become closely associated with the artist’s name and oeuvre. Hirst began using butterflies in his work as early as 1989, while he was studying Fine Art at Goldsmiths College. Hirst’s most iconic use of butterflies was arguably in 1991, when the artist produced a live installation of butterflies which emerged from pupae attached to white painted canvases kept in a humid exhibition room.

Beneficence is part of the Kaleidoscope series, an ambitious project started by Hirst in 2001, which was inspired by the intricate pattern of butterfly wings he saw on an old Victorian tea tray. The prints in the Kaleidoscope series all depict mesmerising patterns of concentric circles composed of colourful butterfly wings.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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