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Miracle - Signed Print by Damien Hirst 2015 - MyArtBroker

Miracle
Signed Print

Damien Hirst

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49 x 36cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2015
Size: H 49cm x W 36cm
Signed: Yes
Format: Signed Print
Last Auction: September 2022

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2022
Phillips London
United Kingdom
$4,700
$5,500
$7,000
April 2022
Ross's Fine Art Auctioneers
United Kingdom
MyPortfolio
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Track auction value trend

The value of Damien Hirst's Miracle (signed) is estimated to be worth between £3,200 and £4,750. There have been two sales at auction since its initial sale on 6th April 2022. Over the past five years, the hammer price ranges from £3,500 in April 2022 to £4,800 in September 2022. The average annual growth rate for this artwork is 6%. This screenprint is from a limited edition of 50.

Created with Highcharts 11.4.8Apr 2022May 2022Jun 2022Jun 2022Jul 2022Aug 2022Sep 2022$4,000$4,500$5,000$5,500$6,000$6,500$7,000© MyArtBroker

Meaning & Analysis

The print is part of Hirst’s Kaleidoscope series, an ambitious project started by the artist in 2001 which was inspired by the intricate pattern of butterfly wings Hirst saw on an old Victorian tea tray. Hirst has had a longstanding fascination with butterflies and the artist frequently incorporates the insect into his artworks. Arguably the most notable use of butterflies was in 1991, when Hirst created a live installation in which butterflies emerged from pupae attached to white painted canvases kept in a humid exhibition room.

Part of the artist’s fascination with butterflies lies in the way they can be used to explore questions of life and death. For Hirst, butterflies embody the fragility of life because they retain an iridescent beauty even in death. Butterflies are also imbued with a significant spiritual symbolism as they were used by the Greeks to depict the Psyche and soul and found in Christian imagery to signify the resurrection.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.