Twisted Insobriety
Twisted Insobriety
Signed Print
Damien Hirst
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98 x 75cm, Edition of 68, Etching
Medium: Etching
Edition size: 68
Year: 2002
Size: H 98cm x W 75cm
Signed: Yes
Format: Signed Print
Last Auction: December 2014
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Meaning & Analysis
Twisted Insobriety is an etching by Damien Hirst from the second volume of his 2002 In A Spin, The Action Of The World Upon Things series. Produced as a set of 23 etchings, Hirst based this series of etchings on his famous Spin Paintings. This print shows tightly rendered concentric circles that reach beyond the edge of the copperplate at the very edge and convey a sense of movement and speed. Twisted Insobriety is depicted in such a way that it is reminiscent of a shooting target.
To create the In A Spin, The Action Of The World on Things, Hirst attached copper plates to a spin machine in his studio, drawing on them with sharp tools as the machine rotated. The use of the rotating machine is reminiscent of the optical experiments of the Dada artist Marcel Duchamp from the 1920s and ’30s. While Duchamp used motorised spinning devices to create optical illusions, Hirst instead uses a spin machine towards aesthetic and expressionistic ends.
Hirst has described his Spin paintings as “childish…in the positive sense of the word.” The Spin paintings and this series of etchings are characterised by chance and spontaneity, with the hand of the artist removed from compositional choice. Set in contrast to the formulaic Spot series, both portfolios are provocative for their exploration of an imaginary mechanical painter. Each spin painting and etching is the result of Hirst’s colour choice and the rotations of the machine. Hirst explains: “I really like making them. And I really like the machine, and I really like the movement. Every time they’re finished, I’m desperate to do another one.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
