The World's Largest Modern & Contemporary Prints & Editions Platform
In the Groove - Signed Print by Damien Hirst 2002 - MyArtBroker

In the Groove
Signed Print

Damien Hirst

£2,700-£4,050Value Indicator

$5,500-$8,500 Value Indicator

$4,950-$7,500 Value Indicator

¥26,000-¥40,000 Value Indicator

€3,100-€4,650 Value Indicator

$28,000-$45,000 Value Indicator

¥540,000-¥800,000 Value Indicator

$3,650-$5,500 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

124 x 104cm, Edition of 68, Etching

Medium: Etching

Edition size: 68

Year: 2002

Size: H 124cm x W 104cm

Signed: Yes

Format: Signed Print

Last Auction: October 2012

Value Trend:

27% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

2 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2012
Cornette de Saint Cyr Paris
France
£842
£991
£1,288
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Damien Hirst's In the Groove (signed) is estimated to be worth between £2,700 and £4,050. This etching print, created in 2002, has shown consistent value growth since its first sale on 10th October 2012. This work has an auction history of one sale and an auction history of one sale. The edition size of this artwork is limited to 68.

Created with Highcharts 11.4.8Oct 2012£1,240© MyArtBroker

Meaning & Analysis

In The Groove is directly related to Hirst’s famed spin paintings, produced with a rotating canvas attached to a spin machine, onto which he poured paint. This series of etchings was produced with copper plates attached to the machine with the spiral lines drawn with needles, screwdrivers, and other sharp tools as they spun. The process of creating these works became a performance-like ritual that continued for numerous days.

Hirst first produced the original spin paintings in 1993 at the curator Joshua Compston’s mock parish fair, ‘A Fete Worse than Death.’ Hirst performed at this show alongside other artists like Tracey Emin and Gary Hume, disguising himself as a clown. Together with Angus Fairhurst, Hirst made spin paintings using a rotating machine, allowing visitors to participate and create their own artworks.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

More from In A Spin