Spinning Around
Spinning Around
Signed Print
Damien Hirst
£1,500-£2,250
$3,000-$4,450 Value Indicator
$2,650-$3,950 Value Indicator
¥13,500-¥20,000 Value Indicator
€1,800-€2,700 Value Indicator
$14,500-$21,000 Value Indicator
¥290,000-¥430,000 Value Indicator
$1,850-$2,750 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 68
Year: 2002
Size: H 124cm x W 104cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2023 | Leonard Joel, Melbourne | Australia |
Meaning & Analysis
Spinning Around is a signed etching from Damien Hirst’s second volume of The Action Of The World Upon Things from 2002. The print shows very tightly rendered concentric circles, depicted in blue and purple and with very thin, scratchy lines. Hirst’s signature, the print date and title can faintly be seen inscribed into the surface of the etching.
To create the In A Spin, The Action Of The World On Things, Hirst attached copper plates to a spin machine in his studio, drawing on them with sharp tools as the machine rotated. The use of the rotating machine is reminiscent of the optical experiments of the Dada artist Marcel Duchamp from the 1920s and ’30s. While Duchamp used motorised spinning devices to create optical illusions, Hirst instead uses a spin machine towards aesthetic and expressionistic ends.
Hirst’s aim to create these spin works for aesthetic purposes was made clear in his 1994 installation exhibition, Making Beautiful Drawings. During this exhibition, visitors could create their own spin drawings on a pedal-powered turntable machine, highlighting Hirst’s interest in interrogating originality and repetition throughout his artistic oeuvre.
