I Get Around
I Get Around
Signed Print
Damien Hirst
£3,150-£4,700Value Indicator
$6,500-$10,000 Value Indicator
$6,000-$8,500 Value Indicator
¥30,000-¥45,000 Value Indicator
€3,750-€5,500 Value Indicator
$35,000-$50,000 Value Indicator
¥610,000-¥910,000 Value Indicator
$4,250-$6,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 68
Year: 2002
Size: H 91cm x W 71cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| May 2020 | Forum Auctions London | United Kingdom | |||
| April 2004 | Christie's London | United Kingdom |
Meaning & Analysis
I Get Around is one of 23 etchings that make up Damien Hirst’s first volume of the In A Spin, The Action Of The World On Things portfolio from 2002. The etching shows concentric circles that appear to have been scratched onto the print’s surface, with some less controlled wiry lines overlain on top. Hirst’s signature, the print date and title can faintly be seen inscribed into the surface of the etching.
The In A Spin, The Action Of The World Upon Things portfolio is directly inspired by Hirst’s very famous spin paintings that he began producing in 1995. These works were created with a spin machine in the artist’s studio, onto which he attached a circular canvas that he then threw paint on. These etchings were created using the same spin machine, instead with copper plates attached and sharp tools to draw the concentric circles.
The second half of the series’ title, ‘The Action Of The World On Things’ derives from a phrase the artist coined in 1999 when he was clarifying the origins of his spot paintings. He distinguished two aspects of his work: “an involvement with death and decay, and ideas and life: the action of the world on things exists somewhere, and the colour exists somewhere else. And it’s fantastic.” In A Spin, The Action Of The World Upon Things is said to unite these two elements of Hirst’s work.
