The World's Largest Modern & Contemporary Prints & Editions Platform
For The Love Of God (four, white) - Signed Print by Damien Hirst 2011 - MyArtBroker

For The Love Of God (four, white)
Signed Print

Damien Hirst

£3,750-£5,500Value Indicator

$8,000-$11,500 Value Indicator

$7,000-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

4,400-6,500 Value Indicator

$40,000-$60,000 Value Indicator

¥710,000-¥1,040,000 Value Indicator

$5,000-$7,500 Value Indicator

20% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 1000

Year: 2011

Size: H 58cm x W 49cm

Signed: Yes

Format: Signed Print

TradingFloor

6 in network
3 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

Damien Hirst's For The Love Of God (four, white) from 2011, a signed screenprint, is estimated to be valued between £3,750 to £5,500. This artwork is popular in the market and has an auction history of one sale on 22nd March 2016. There have been no sales in the last 12 months. The edition size of this artwork is limited to 1,000. The average annual growth rate of this artwork is 4%.

Unlock up-to-the-minute market data on Damien Hirst's For The Love Of God (four, white), login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2016Christie's New York United States

Meaning & Analysis

For The Love of God (four, white) is unique as it presents multiple different views of his famous For The Love Of God sculpture in one singular print. Through the various different orientations of the skull, the viewer gets a sense of the totality of the use of diamonds. The platinum cast of a real skull is replete with 8,601 diamonds. The jaw of the skull is slightly open and the white teeth, the original teeth from the 18th century person, are visible. The skull functions as a central image that has enabled Hirst to consider several themes throughout the years, often revisiting the sculpture and creating more prints.

Not only have skulls been a recurring theme in Hirst’s oeuvre, but he has continually returned to the For The Love Of God sculpture, producing more prints of it. The presence of multiple different views of the skull in one image renders this print truly unique. The work may be compared to Hirst’s 2007 print, For The Love Of God (four, black), which adopts the same composition. However, the use of a white background gives the skull an entirely different effect.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

More from For The Love Of God