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H5-5 Raffles - Signed Print by Damien Hirst 2018 - MyArtBroker

H5-5 Raffles
Signed Print

Damien Hirst

£2,700-£4,100Value Indicator

$5,500-$8,500 Value Indicator

$5,000-$7,500 Value Indicator

¥26,000-¥40,000 Value Indicator

€3,150-€4,750 Value Indicator

$29,000-$45,000 Value Indicator

¥540,000-¥820,000 Value Indicator

$3,650-$5,500 Value Indicator

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90 x 90cm, Edition of 100, Giclée print

Medium: Giclée print

Edition size: 100

Year: 2018

Size: H 90cm x W 90cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

-10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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5 in network
1 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Phillips London
United Kingdom
£3,825
£4,500
£5,715
January 2024
Phillips London
United Kingdom
June 2020
Phillips New York
United States
October 2019
Phillips New York
United States
April 2019
Rosebery's Fine Art Auctioneers
United Kingdom
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The value of Damien Hirst’s H5-5 Raffles (signed) is estimated to be worth between £2,700 and £4,100. This Giclée print, created in 2018, has shown consistent value growth since its first sale in April 2019. This artwork has been sold 5 times at auction and the hammer price over the last 12 months is £4,500. Over the past five years, the hammer price has varied from £4,500 in October 2024. The average annual growth rate of this work is -10%. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Apr 2019Mar 2020Feb 2021Jan 2022Dec 2022Nov 2023Oct 2024£3,000£3,500£4,000£4,500£5,000£5,500£6,000£6,500© MyArtBroker

Meaning & Analysis

The Spot paintings were compelling due to their potential towards endlessness, but the Colour Space paintings and this series of prints mark a turn in Hirst’s attitude towards his work because they are a finite set of works. The Colour Space series adheres to many of the rules from the original Spot paintings in that no single colour is repeated across each composition and every dot is the same size. The crucial difference is that the Colour Space series does not follow the strict grid-like formula that the Spot paintings were bound to, thus producing a much more expressive set of works.

As Hirst explains, “My first ever Spot painting was loose and painted with drippy paint and not minimal at all. In that painting, I was wrestling with what I originally thought of as the coldness of Minimalism and the more emotional Abstract Expressionist painting style I’d grown up with. At the time I painted it, it felt uncool and I abandoned it immediately for the rigidity of the grid, removing the mess, but after doing the Spot catalogue raisonné I’ve felt really drawn to that first painting and knew I’d revisit it eventually.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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