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90 x 90cm, Edition of 100, Giclée print
Medium: Giclée print
Edition size: 100
Year: 2018
Size: H 90cm x W 90cm
Signed: Yes
Format: Signed Print
Last Auction: October 2024
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
H5-8 Raffles is a print from 2018 taken from Damien Hirst’s Colour Space series. The print shows several circular dots to form an all-over composition, rendering a sense of playfulness and joy due to Hirst’s bright colour choice. This print negotiates the artist’s ongoing relationship with dots that has been a constant throughout his oeuvre and this series is based on his early Spot paintings.
The Spot paintings were compelling due to their potential towards endlessness, but the Colour Space paintings and this series of prints mark a turn in Hirst’s attitude towards his work because they are a finite set of works. The Colour Space series adheres to many of the rules from the original Spot paintings in that no single colour is repeated across each composition and every dot is the same size. The crucial difference is that the Colour Space series does not follow the strict grid-like formula that the Spot paintings were bound to, thus producing a much more expressive set of works.
As Hirst explains, “My first ever Spot painting was loose and painted with drippy paint and not minimal at all. In that painting, I was wrestling with what I originally thought of as the coldness of Minimalism and the more emotional Abstract Expressionist painting style I’d grown up with. At the time I painted it, it felt uncool and I abandoned it immediately for the rigidity of the grid, removing the mess, but after doing the Spot catalogue raisonné I’ve felt really drawn to that first painting and knew I’d revisit it eventually.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.