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Bromphenol Blue - Signed Print by Damien Hirst 2005 - MyArtBroker

Bromphenol Blue
Signed Print

Damien Hirst

£9,000-£13,000Value Indicator

$19,000-$27,000 Value Indicator

$17,000-$24,000 Value Indicator

¥90,000-¥130,000 Value Indicator

10,500-15,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,720,000-¥2,490,000 Value Indicator

$12,000-$17,000 Value Indicator

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Intaglio

Edition size: 65

Year: 2005

Size: H 76cm x W 91cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's Bromphenol Blue, a signed Intaglio print from 2005, is estimated to be worth between £9,000 and £13,000. This artwork has been sold 13 times at auction since its initial sale on 28th September 2007. Over the past 12 months, the average selling price was £9,493, across a total of 2 sales. In the last five years, the hammer price has varied from £8,000 in January 2025 to £10,986 in October 2024. The average annual growth rate of this work is 7%. The edition size of this artwork is limited to 65.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2025Phillips London United Kingdom
October 2024Strauss Online South Africa
January 2020Wright United States
December 2017Christie's New York United States
September 2015Sotheby's London United Kingdom
April 2015Phillips New York United States
July 2014Bonhams New Bond Street United Kingdom

Meaning & Analysis

Discussing the spot paintings more broadly, Hirst has explained, “I believe all painting and art should be uplifting for the viewer. I love colour. I feel it inside me. It gives me a buzz.” Deceptively simple and joyous, Bromphenol Blue recalls the absurdity of Dadaism and gently mocks the processes of pointillist painting. The crisp edges and formulaic composition convey a lack of human touch, despite the fact that these works are laborious and painting to produce. For many of the spot paintings throughout his career, Hirst employed assistants to produce them.

The composition is a tight knit mesh of spots set against a plain white backdrop, the bright and round coloured spots bright and buzzing. The colour and arrangement appear to be seemingly random and with infinite possibilities in their display. Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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