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Bromphenol Blue - Signed Print by Damien Hirst 2005 - MyArtBroker

Bromphenol Blue
Signed Print

Damien Hirst

£8,000-£11,500Value Indicator

$17,000-$24,000 Value Indicator

$15,000-$21,000 Value Indicator

¥80,000-¥110,000 Value Indicator

€9,500-€13,500 Value Indicator

$90,000-$120,000 Value Indicator

¥1,590,000-¥2,290,000 Value Indicator

$11,000-$16,000 Value Indicator

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76 x 91cm, Edition of 65, Intaglio

Medium: Intaglio

Edition size: 65

Year: 2005

Size: H 76cm x W 91cm

Signed: Yes

Format: Signed Print

Last Auction: January 2025

Value Trend:

2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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2 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
January 2025
Phillips London
United Kingdom
$8,500
$10,000
$12,500
October 2024
Strauss Online
South Africa
January 2020
Wright
United States
December 2017
Christie's New York
United States
September 2015
Sotheby's London
United Kingdom
April 2015
Phillips New York
United States
July 2014
Bonhams New Bond Street
United Kingdom
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Track auction value trend

The value of Damien Hirst's Bromphenol Blue, an intaglio print from 2005, is estimated to be worth between £8,000 and £11,500. This artwork has shown consistent value growth, with an average annual growth rate of 2%. Over the past 12 months, the average selling price was £9,493, across 2 sales. This work has a steady auction history, having been sold 13 times since its entry to the market in September 2007. The edition size of this artwork is limited to 65.

Created with Highcharts 11.4.8Jul 2014Apr 2016Jan 2018Oct 2019Jul 2021Apr 2023Jan 2025$6,000$7,000$8,000$9,000$10,000$11,000$12,000$13,000$14,000© MyArtBroker

Meaning & Analysis

Discussing the spot paintings more broadly, Hirst has explained, “I believe all painting and art should be uplifting for the viewer. I love colour. I feel it inside me. It gives me a buzz.” Deceptively simple and joyous, Bromphenol Blue recalls the absurdity of Dadaism and gently mocks the processes of pointillist painting. The crisp edges and formulaic composition convey a lack of human touch, despite the fact that these works are laborious and painting to produce. For many of the spot paintings throughout his career, Hirst employed assistants to produce them.

The composition is a tight knit mesh of spots set against a plain white backdrop, the bright and round coloured spots bright and buzzing. The colour and arrangement appear to be seemingly random and with infinite possibilities in their display. Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.