The World's Largest Modern & Contemporary Prints & Editions Platform
Godless - Signed Print by Damien Hirst 2011 - MyArtBroker

Godless
Signed Print

Damien Hirst

£9,500-£14,500Value Indicator

$19,000-$30,000 Value Indicator

$17,000-$27,000 Value Indicator

¥90,000-¥140,000 Value Indicator

€11,000-€17,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,880,000-¥2,880,000 Value Indicator

$13,000-$19,000 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

160 x 122cm, Edition of 25, Digital Print

Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 160cm x W 122cm

Signed: Yes

Format: Signed Print

Last Auction: December 2021

Value Trend:

-10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

1 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2021
Bonhams New Bond Street
United Kingdom
N/A
N/A
N/A
February 2012
Phillips London
United Kingdom
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Damien Hirst's Godless (signed) is estimated to be worth between £9,500 and £14,500. This digital print artwork, created in 2011, has shown consistent value growth. The hammer price for this work has ranged from £7,750 in November 2017 to £11,250 in May 2018. In the last 12 months, there have been 2 sales of this artwork. Over the past five years, the average annual growth rate of Godless is -9%. This work is from a limited edition of 25.

Created with Highcharts 11.4.8© MyArtBroker

Meaning & Analysis

Hirst has had a longstanding interest in medicine and its depiction in art, as well as modern society’s obsession with pharmaceuticals and their healing powers. Medicine and pharmaceutical products often feature in the artist’s works. Whilst in his second year at Goldsmiths in 1988, Hirst began his Medicine Cabinets series, in which the artist constructed various cabinets filled with the empty packets of his grandmother’s medication, like the one seen in this print. Through the incorporation of medicine into his artworks, Hirst is able to pursue wider themes of life, death and mortality.

Hirst has continued to explore the theme of modern medicine in his artworks, notably in series such as Eat the Rich and The Cure. Through doing this, Hirst blurs the boundaries between art and science, demanding that the two are not seen as opposing disciplines.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

More from Damien Hirst