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Nineteen Greys D - Signed Print by Bridget Riley 1968 - MyArtBroker

Nineteen Greys D
Signed Print

Bridget Riley

£8,000-£12,500Value Indicator

$17,000-$26,000 Value Indicator

$15,000-$23,000 Value Indicator

¥80,000-¥120,000 Value Indicator

€9,500-€14,500 Value Indicator

$80,000-$130,000 Value Indicator

¥1,590,000-¥2,490,000 Value Indicator

$10,500-$17,000 Value Indicator

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76 x 76cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 1968

Size: H 76cm x W 76cm

Signed: Yes

Format: Signed Print

Last Auction: April 2022

Value Trend:

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2022
Doyle Auctioneers & Appraisers
United States
$4,700
$5,500
$7,000
March 2015
Sotheby's London
United Kingdom
September 2011
Christie's London
United Kingdom
May 2011
Aspire Auctions
United States
June 2007
Artcurial
France
April 2003
Doyle Auctioneers & Appraisers
United States
MyPortfolio
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Track auction value trend

The value of Bridget Riley's Nineteen Greys D (signed) is estimated to be worth between £8,000 and £12,500. This screenprint, created in 1968, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of six total sales since its entry to the market in April 2003. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8Apr 2003Jun 2006Aug 2009Oct 2012Dec 2015Feb 2019Apr 2022$4,000$4,500$5,000$5,500$6,000$6,500$7,000$7,500© MyArtBroker

Meaning & Analysis

Exploring the effects of contrasting warm and cold greys, Riley, much like in her other works, manipulates shape and colour to generate complex visual sensations in the spectator. On these works the Tate Gallery wrote: “they involve certain juxtapositions and confrontations where the elements or their activities neutralise one another, cancel one another out. The central subject of the prints is the result of this neutralisation or cancellation”. Thus, the focus of this series was the result of tonal variations and their effects on the viewer, enabling an exploration into the physiological and psychological responses of the eyes.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.