The World's Largest Modern & Contemporary Prints & Editions Platform
Magenta And Yellow - Signed Print by Bridget Riley 2002 - MyArtBroker

Magenta And Yellow
Signed Print

Bridget Riley

£8,000-£12,000Value Indicator

$17,000-$25,000 Value Indicator

$15,000-$22,000 Value Indicator

¥80,000-¥120,000 Value Indicator

9,500-14,500 Value Indicator

$80,000-$130,000 Value Indicator

¥1,550,000-¥2,320,000 Value Indicator

$10,500-$16,000 Value Indicator

16% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 75

Year: 2002

Size: H 87cm x W 57cm

Signed: Yes

Format: Signed Print

TradingFloor

2 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

The value of Bridget Riley’s Magenta And Yellow (signed) is estimated to be worth between £8,000 and £12,000. This screenprint, created in 2002, has shown consistent value growth, with an average annual growth rate of 16%. This work has sold 4 times at auction since its entry to the market in September 2017. Over the past 12 months, the average selling price was £8,550, across 2 total sales. In the last five years, the hammer price has ranged from £4,800 in December 2021 to £8,600 in September 2024. The average annual growth rate of this work is 16% and the edition size is limited to 75.

Unlock up-to-the-minute market data on Bridget Riley's Magenta And Yellow, login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2025Christie's London United Kingdom
September 2024Phillips London United Kingdom
December 2021Bonhams Knightsbridge United Kingdom
September 2017Christie's New York United States

Meaning & Analysis

Appearing random at first glance, there is undoubtedly an underlying structure to Riley’s compositions, her approach to constructing them both thoughtful and methodical. In this series, Riley neglects her quintessential compositions of vertical lines in favour of more fluid, swaying arabesques, enabling larger planes of colour to fill the two-dimensional surface. Riley’s art continues to exert a major influence on subsequent generations of artists, her influence reaching far beyond the realm of painting.