Fragment 6
Fragment 6
Signed Print
Bridget Riley
£26,000-£40,000
$50,000-$80,000 Value Indicator
$45,000-$70,000 Value Indicator
¥240,000-¥370,000 Value Indicator
€30,000-€50,000 Value Indicator
$260,000-$400,000 Value Indicator
¥5,120,000-¥7,880,000 Value Indicator
$35,000-$50,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1965
Size: H 63cm x W 72cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Wright - United States | Fragment 6 - Signed Print | |||
| March 2022 | Bonhams New Bond Street - United Kingdom | Fragment 6 - Signed Print | |||
| September 2021 | Sotheby's Online - United Kingdom | Fragment 6 - Signed Print | |||
| September 2020 | Sotheby's London - United Kingdom | Fragment 6 - Signed Print | |||
| April 2014 | Sotheby's London - United Kingdom | Fragment 6 - Signed Print | |||
| November 2007 | Doyle Auctioneers & Appraisers - United States | Fragment 6 - Signed Print | |||
| November 2007 | Sotheby's New York - United States | Fragment 6 - Signed Print |
Meaning & Analysis
Fragment 6 is the penultimate in a series of seven monochromatic prints, created by Bridget Riley in 1965. Fragment 6 depicts circles of varying size move in a seemingly random, yet ultimately precise, pattern across the page. Resembling a molecular configuration, the circles seem to flicker and pulsate, grasping the viewer’s visual tension.
Riley rose to prominence in the early 1960s with her bold vision for a new painterly language based upon repeated geometric forms: of which Fragment 6 is exemplar. Working at the time exclusively in black and white, it was only towards the late 1960s that Riley began to incorporate grey and, later still, primary colours into her work.
Having previously experimented with Pointillism, the technique of painting with coloured dots, Riley discovered her own, unique method of treating optics in paint by 1965. Following this, Riley continuously honed her personal artistic style, for which she would become an iconic, ground-breaking, British modern painter, influencing subsequent generations of artists.
